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Aki Kaurismäki
Birthday:
4 April 1957
Birth Name:
Aki Olavi Kaurismäki
Height:
195 cm
Biography
[When told he must have been influenced by Bresson] I want to make him seem like a director of epic action pictures.
[When told he must have been influenced by Bresson] I want to make him seem like a director of epic action pictures.
I always start with everyday realism, everyday situations, and I try to go darker and darker and in the end, it's melodrama. Even the light has changed: in the beginning, the light is quite normal and in the end, there are big shadows.
I always start with everyday realism, everyday situations, and I try to go darker and darker and in the end, it's melodrama. Even the light has changed: in the beginning, the light is quite normal and in the end, there are big shadows.
I always decide to put a sad ending but then I feel pity for my characters and put at the last moment a happy ending.
I always decide to put a sad ending but then I feel pity for my characters and put at the last moment a happy ending.
I first get a title and then I write a script for the title.
I first get a title and then I write a script for the title.
I think the more pessimistic I feel about life, the more optimistic the films should be.
I think the more pessimistic I feel about life, the more optimistic the films should be.
I must make clear that I didn't boycott the New York film festival. I like the New York film festival very much. I boycotted the US government. I was at the airport with my ticket in my hand and I heard Abbas wasn't being let in, and I thought, OK, if the US government doesn't want an Iranian film-maker then they won't want a Finn either. And I will not go w...
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I must make clear that I didn't boycott the New York film festival. I like the New York film festival very much. I boycotted the US government. I was at the airport with my ticket in my hand and I heard Abbas wasn't being let in, and I thought, OK, if the US government doesn't want an Iranian film-maker then they won't want a Finn either. And I will not go where I am not wanted.
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Hollywood has melted everyone's brains. In the old days you had one murder and that was enough for a story. Now you have to kill 300,000 people just to get the audience's attention. And in Helsinki the violence is not glamorous. It is nameless. There, someone hits you just because they are in a bad mood.
Hollywood has melted everyone's brains. In the old days you had one murder and that was enough for a story. Now you have to kill 300,000 people just to get the audience's attention. And in Helsinki the violence is not glamorous. It is nameless. There, someone hits you just because they are in a bad mood.
I would like to explain the violence in this film. Because it makes me uncomfortable. The problem is this story had to start with violence. So I wanted to at least make it honest. Because if people want to see violence looking good, there is something wrong with their heads. So I make it look as it really is, fast and ugly. This is my rule and my explanation.
I would like to explain the violence in this film. Because it makes me uncomfortable. The problem is this story had to start with violence. So I wanted to at least make it honest. Because if people want to see violence looking good, there is something wrong with their heads. So I make it look as it really is, fast and ugly. This is my rule and my explanation.
Coffee? I don't want coffee. To talk about my lousy films I need more than coffee.
Coffee? I don't want coffee. To talk about my lousy films I need more than coffee.
How can you write the dialogue for films about the middle class? They might have as hard mental troubles as anyone else, but the dialogue is impossible. It is easier to be a slave or to be a boss.
How can you write the dialogue for films about the middle class? They might have as hard mental troubles as anyone else, but the dialogue is impossible. It is easier to be a slave or to be a boss.
When I write, I am sober. I can direct drunk. I can't edit or write drunk.
When I write, I am sober. I can direct drunk. I can't edit or write drunk.
I have two methods. If I have a screenplay, I follow it. If I don't, I improvise. Nobody else improvises - not the cameraman or the actors. Just me.
I have two methods. If I have a screenplay, I follow it. If I don't, I improvise. Nobody else improvises - not the cameraman or the actors. Just me.
The problem is, I have seen all the other films. All the serious films ever made I have seen, more or less. They are so good... and I am so bad. Very early in my so-called career, I knew I would never make a masterpiece. So I decided to make lots of decent films.
The problem is, I have seen all the other films. All the serious films ever made I have seen, more or less. They are so good... and I am so bad. Very early in my so-called career, I knew I would never make a masterpiece. So I decided to make lots of decent films.
Maybe my films are not masterpieces, but they are documents of their time. That's enough for me. Masterpieces I can't do - even though I try.
Maybe my films are not masterpieces, but they are documents of their time. That's enough for me. Masterpieces I can't do - even though I try.
I like dogs, mankind I don't care for too much. You're supposed to like mankind because you're part of it, but I prefer dogs. They are honest and they don't lie.
I like dogs, mankind I don't care for too much. You're supposed to like mankind because you're part of it, but I prefer dogs. They are honest and they don't lie.
Cinema is dead. It died 1962, I think it was in October!
Cinema is dead. It died 1962, I think it was in October!
When I was young, I would sit in the bath and ideas would come to me. But I'm not young any more, so now I just sit in the bath.
When I was young, I would sit in the bath and ideas would come to me. But I'm not young any more, so now I just sit in the bath.
Aki Kaurismäki
Aki Kaurismäki did a wide variety of jobs including postman, dish-washer and film critic, before forming a production and distribution company, Villealfa (in homage to Jean-Luc Godard's Alphaville, une étrange aventure de Lemmy Caution (1965)) with his older brother Mika Kaurismäki, also a film-maker. Both Aki and Mika are prolific film-makers, and together have been responsible for one-fifth of the total output of the Finnish film industry since the early 1980s, though Aki's work has found more favour abroad. His films are very short (he says a film should never run longer than 90 minutes, and many of his films are nearer 70), eccentric parodies of various genres (road movies, film noir, rock musicals), populated by lugubrious hard-drinking Finns and set to eclectic soundtracks, typically based around '50s rock'n'roll.In the 1990s he has made films in Britain (I Hired a Contract Killer (1990)) and France (La vie de bohème (1992)).
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