[on Michael Bolton] The locks have gone but the talent remains.

[on Michael Bolton] One of the few people truly deserving of the title music legend.

The songs of Spandau Ballet have no doubt been an intrinsic part of the soundtrack to our lives, whether that be slow-dancing to True or getting down at the disco to Gold.

Men in television tend to last a bit longer at the end of their careers, but it is women who make hay at the beginning. They don't complain in their early days when they are disporting themselves on sports cars. I'd like to see a mix of all ages on TV and wish there could be less whingeing about it.

[on Belinda Carlisle] The woman who provided the soundtrack to the '80s.

A lot of big stars get fed up of doing the songs that made them big and I always feel in a way they kind of shortchange the fans then.

[on "Don't Cry For Me Argentina"] You get one or two songs, don't you, that somehow you never tire of hearing and they still make you moist-eyed and that's certainly one of them.

[on Engelbert Humperdinck] Unquestionably a music legend.

[on Marti Webb] She's the undisputed queen of musicals.

They always say to me about Yorkshire: "If it's so good why aren't you still living there?"

What was very interesting to me was that enormous amount of celebrities who came out to support Tony Blair before he got in for New Labour, who then disappeared into the woodwork entirely when they got into government. That's very curious.

People say, "Who do you want to interview?" and I always say, "Maggie Smith" but then, as she doesn't like doing interviews, it probably wouldn't go well. But I've always been an enormous fan.

[in 2010] I've always loved music hall. I've done it for fun. You know, like some people go fishing, I've got some mates and we do music hall, and we've done it for about 30-odd years.

I don't think I've ever been so offended as I was by Jon Snow talking about Poppy Fascism and I think he spoke for very few people when he talked about that. I think most of us support tremendously the Poppy Appeal and also the fact that it seems to us even more relevant today - as relevant certainly - as it was.

Only ask questions that you really want to know the answer to. It's obvious when a chat-show host is only in it for his or her own exposure. Hollywood stars can be uneasy at the beginning. But I have found that if you lean forward and look directly at them, they come around. It's like tomcats stalking each other. You size each other up and then get the measure of each other. I want to give the viewer an engaging watch. That's why I threw John McCririck off the show (The Alan Titchmarsh Show (2007)) recently - he was being rude and unpleasant to another guest. As often as not, the guest won't reveal a huge secret but I want to hold them for examination, to gain a fresh or different insight. You want to be engaged and enlightened. You know that when you ask: "And what of the future?" there's nothing more to be asked. Also, if you are a fan of the guest, do not be sycophantic. Tony Benn and Alan Bennett are wonderful guests - they know that the key to being a guest is not to play the "You're lucky to have me" card, but rather just to be entertaining and informed, to tell us something new.