THE NUMBER OF SUBSCRIBERS IS LIMITED!
Get Your Premium Subscription ASAP! Places occupied: 4908 of 5000
All
All
Movies
TV Shows
Anime
Celebrities
Characters
Dear friend, you are using demo version of the Movies Hub!
Notifications
Account Settings
Fred Zinnemann
Birthday:
29 April 1907
Birth Name:
Alfred Zinnemann
Height:
169 cm
Biography
I think I'd be very wary about doing another musical. But I'd love to do another western if I found a good story and if I could find good actors - they are getting very rare because it's becoming a sort of second-hand thing now with young actors, where the older ones, people like Gary Cooper, knew about the old west more from personal experience.
I think I'd be very wary about doing another musical. But I'd love to do another western if I found a good story and if I could find good actors - they are getting very rare because it's becoming a sort of second-hand thing now with young actors, where the older ones, people like Gary Cooper, knew about the old west more from personal experience.
(On Grace Kelly)(Kelly) at the time wasn't equipped to do very much...She was very wooden...which fitted perfectly, and her lack of experience and sort of gauche behaviour was to me very touching - to see this prim Easterner in the wilds of the Burbank Columbia backlot - it worked very well."
(On Grace Kelly)(Kelly) at the time wasn't equipped to do very much...She was very wooden...which fitted perfectly, and her lack of experience and sort of gauche behaviour was to me very touching - to see this prim Easterner in the wilds of the Burbank Columbia backlot - it worked very well."
I only learned about acting from actors.
I only learned about acting from actors.
I just like to do films that are positive in the sense that they deal with the dignity of human beings and have something to say about oppression, not necessarily in a political way but in a human way. I have to feel that what I'm trying to do is worthwhile.
I just like to do films that are positive in the sense that they deal with the dignity of human beings and have something to say about oppression, not necessarily in a political way but in a human way. I have to feel that what I'm trying to do is worthwhile.
I was born and raised in Austria. When I was growing up, I wanted to be a musician, but fortunately I discovered in time that I had no musical talent. Then I tried law, and I am not sorry I did because it taught me a method of thinking. Also, since in Austria in those days canon law was required for law students, I later found that very helpful in making fil...
Show more
I was born and raised in Austria. When I was growing up, I wanted to be a musician, but fortunately I discovered in time that I had no musical talent. Then I tried law, and I am not sorry I did because it taught me a method of thinking. Also, since in Austria in those days canon law was required for law students, I later found that very helpful in making films like The Nun's Story (1959) and A Man for All Seasons (1966).
Show less
The three most important things about a film are the script, the script, the script.
The three most important things about a film are the script, the script, the script.
I will always think of myself as a Hollywood director, not only because I grew up in the American film industry, but also because I believe in making films that will please a mass audience, and not just in making films that express my own personality or ideas. I have always tried to offer an audience something positive in a film and to entertain them as well.
I will always think of myself as a Hollywood director, not only because I grew up in the American film industry, but also because I believe in making films that will please a mass audience, and not just in making films that express my own personality or ideas. I have always tried to offer an audience something positive in a film and to entertain them as well.
[on directing Ethel Waters in The Member of the Wedding (1952)] Every time I'd try to help her, she'd roll her eyes to the heavens and say, "God is my director!" How can you argue with that?
[on directing Ethel Waters in The Member of the Wedding (1952)] Every time I'd try to help her, she'd roll her eyes to the heavens and say, "God is my director!" How can you argue with that?
I'm not in pictures to promote my private personality. I'm in it for the joy of it.
I'm not in pictures to promote my private personality. I'm in it for the joy of it.
Fred Zinnemann
Initially grew up wanting to be a violinist, but while at the University of Vienna decided to study law. While doing so, he became increasingly interested in American film and decided that was what he wanted to do. He became involved in European filmaking for a short time before going to America to study film.
Close
