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James Cagney
Birthday:
17 July 1899
Birth Name:
James Francis Cagney
Height:
169 cm
Biography
The thing is to try to give the audience something to take away with them. That's what I always wanted to do.
The thing is to try to give the audience something to take away with them. That's what I always wanted to do.
[on his Hollywood arrival] I came out here on a three week guarantee, and I stayed, to my absolute amazement, for thirty-one years.
[on his Hollywood arrival] I came out here on a three week guarantee, and I stayed, to my absolute amazement, for thirty-one years.
I still think of myself essentially as a vaudevillian, as a song and dance man. The vaudevillians I knew by and large were marvelous people. Ninety percent of them had no schooling, but they had a vivid something or other about them that absolutely riveted an audience's attention. Those vaudevillians knew something that ultimately I came to understand and be...
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I still think of myself essentially as a vaudevillian, as a song and dance man. The vaudevillians I knew by and large were marvelous people. Ninety percent of them had no schooling, but they had a vivid something or other about them that absolutely riveted an audience's attention. Those vaudevillians knew something that ultimately I came to understand and believe - that audiences are the ones who determine material. They buy the tickets.
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[in 1931] I'm sick of guns and beating up women. Movies should be entertaining, not bloodbaths.
[in 1931] I'm sick of guns and beating up women. Movies should be entertaining, not bloodbaths.
[Telegram sent to House Ways and Means Committee regarding No Runways on Vacation Isle - 1969] For more than 30 years I have watched Martha's Vineyard go downhill as a place of natural wonder and peaceful haven. Now they are talking of runways for jets. Is there to be no end to the destruction of all that is natural and worthwhile? Please give it some thought.
[Telegram sent to House Ways and Means Committee regarding No Runways on Vacation Isle - 1969] For more than 30 years I have watched Martha's Vineyard go downhill as a place of natural wonder and peaceful haven. Now they are talking of runways for jets. Is there to be no end to the destruction of all that is natural and worthwhile? Please give it some thought.
The things the world most needs are simplicity, honesty and decency--and you find them more often in the country than in the city. My feeling for the country goes beyond sense. I don't like to be in the cities at all. I like to be where animals are--and thing growing.
The things the world most needs are simplicity, honesty and decency--and you find them more often in the country than in the city. My feeling for the country goes beyond sense. I don't like to be in the cities at all. I like to be where animals are--and thing growing.
When I was younger, if someone had told me I had only two years to live, I'd have gone to an island that was really country--and just rocked it out by myself. But if someone told me the same thing today, I believe I'd probably travel--just to get away from all the noise and nonsense we are surrounded with.
When I was younger, if someone had told me I had only two years to live, I'd have gone to an island that was really country--and just rocked it out by myself. But if someone told me the same thing today, I believe I'd probably travel--just to get away from all the noise and nonsense we are surrounded with.
The lovers of hate, born in fear - Find no release from tension - They spend their lives in a permanent state - Of miserable apprehension.
The lovers of hate, born in fear - Find no release from tension - They spend their lives in a permanent state - Of miserable apprehension.
Learn your lines ... plant your feet ... look the other actor in the eye ... say the words ... mean them.
Learn your lines ... plant your feet ... look the other actor in the eye ... say the words ... mean them.
[about The Public Enemy (1931)] What not many people know is that right up to two days before shooting started, I was going to play the good guy, the pal. Edward Woods played it in the end.
[about The Public Enemy (1931)] What not many people know is that right up to two days before shooting started, I was going to play the good guy, the pal. Edward Woods played it in the end.
Learn your lines, find your mark, look 'em in the eye and tell 'em the truth.
Learn your lines, find your mark, look 'em in the eye and tell 'em the truth.
[about his most famous misquoted line] I never actually said, "Nnng-you dirty ra-at!" What I actually said was [imitating Cary Grant] "Judy! Judy! Judy!"
[about his most famous misquoted line] I never actually said, "Nnng-you dirty ra-at!" What I actually said was [imitating Cary Grant] "Judy! Judy! Judy!"
My father was totally Irish, and so I went to Ireland once. I found it to be very much like New York, for it was a beautiful country, and both the women and men were good-looking.
My father was totally Irish, and so I went to Ireland once. I found it to be very much like New York, for it was a beautiful country, and both the women and men were good-looking.
You know, the period of World War I and the Roaring Twenties were really just about the same as today. You worked, and you made a living if you could, and you tried to make the best of things. For an actor or a dancer, it was no different then than today. It was a struggle.
You know, the period of World War I and the Roaring Twenties were really just about the same as today. You worked, and you made a living if you could, and you tried to make the best of things. For an actor or a dancer, it was no different then than today. It was a struggle.
I hate the word "superstar". I have never been able to think in those terms. They are overstatements. You don't hear them speak of [William Shakespeare] as a superpoet. You don't hear them call Michelangelo a superpainter. They only apply the word to this mundane market.
I hate the word "superstar". I have never been able to think in those terms. They are overstatements. You don't hear them speak of [William Shakespeare] as a superpoet. You don't hear them call Michelangelo a superpainter. They only apply the word to this mundane market.
Once a song and dance man, always a song and dance man. Those few words tell as much about me professionally as there is to tell.
Once a song and dance man, always a song and dance man. Those few words tell as much about me professionally as there is to tell.
With me, a career was the simple matter of putting groceries on the table.
With me, a career was the simple matter of putting groceries on the table.
Where I come from, if there's a buck to be made, you don't ask questions, you go ahead and make it.
Where I come from, if there's a buck to be made, you don't ask questions, you go ahead and make it.
They need you. Without you, they have an empty screen. So, when you get on there, just do what you think is right and stick with it.
They need you. Without you, they have an empty screen. So, when you get on there, just do what you think is right and stick with it.
[in the early 1960s] In this business you need enthusiasm. I don't have enthusiasm for acting anymore. Acting is not the beginning and end of everything.
[in the early 1960s] In this business you need enthusiasm. I don't have enthusiasm for acting anymore. Acting is not the beginning and end of everything.
My biggest concern is that doing a rough-and-tumble scene I might hurt someone accidentally.
My biggest concern is that doing a rough-and-tumble scene I might hurt someone accidentally.
All I try to do is to realise the man I'm playing fully, then put as much into my acting as I know how. To do it, I draw upon all that I've ever known, heard, seen or remember.
All I try to do is to realise the man I'm playing fully, then put as much into my acting as I know how. To do it, I draw upon all that I've ever known, heard, seen or remember.
There's not much to say about acting but this. Never settle back on your heels. Never relax. If you relax, the audience relaxes. And always mean everything you say.
There's not much to say about acting but this. Never settle back on your heels. Never relax. If you relax, the audience relaxes. And always mean everything you say.
James Cagney
One of Hollywood's preeminent male stars of all time (eclipsed, perhaps, only by "King" Clark Gable and arguably by Gary Cooper or Spencer Tracy), and the cinema's quintessential "tough guy", James Cagney was also an accomplished--if rather stiff--hoofer and easily played light comedy. James Francis Cagney was born on the Lower East Side of Manhattan in New York City, to Carolyn (Nelson) and James Francis Cagney, Sr., who was a bartender and amateur boxer. Cagney was of Norwegian (from his maternal grandfather) and Irish descent. Ending three decades on the screen, he retired to his farm in Stanfordville, New York (some 77 miles/124 km. north of his New York City birthplace), after starring in Billy Wilder's One, Two, Three (1961). He emerged from retirement to star in the 1981 screen adaptation of E.L. Doctorow's novel "Ragtime" (Ragtime (1981)), in which he was reunited with his frequent co-star of the 1930s, Pat O'Brien, and which was his last theatrical film and O'Brien's as well). Cagney's final performance came in the title role of the made-for-TV movie Terrible Joe Moran (1984), in which he played opposite Art Carney.
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