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Javier Bardem
Birthday:
1 March 1969
Birth Name:
Javier Ángel Encinas Bardem
Height:
181 cm
Biography
I had the amazing opportunity to meet Brad Pitt a couple of times. What a beauty. He is beautiful and his physicality is so amazing to see. But the beauty really comes from different places - the way he talks, the way he's interested in what you're saying. And that body is like - wow! It's amazing, no? He really made me feel very, like... I don't know, like,...
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I had the amazing opportunity to meet Brad Pitt a couple of times. What a beauty. He is beautiful and his physicality is so amazing to see. But the beauty really comes from different places - the way he talks, the way he's interested in what you're saying. And that body is like - wow! It's amazing, no? He really made me feel very, like... I don't know, like, I could fall in love with him!
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[on being a temporary stripper] I danced one night in a place, there was a club. And they asked for a guy to kind of make a striptease and I did it... It was for ten minutes. I needed money. My mother was there in the audience. She was so proud.
[on being a temporary stripper] I danced one night in a place, there was a club. And they asked for a guy to kind of make a striptease and I did it... It was for ten minutes. I needed money. My mother was there in the audience. She was so proud.
[on Biutiful (2010)] It's like a Francis Bacon painting. It's ugly. Some people can't take it. But some people can stay still, look at the picture, and see the hope, the compassion, the love behind the horror.
[on Biutiful (2010)] It's like a Francis Bacon painting. It's ugly. Some people can't take it. But some people can stay still, look at the picture, and see the hope, the compassion, the love behind the horror.
Sometimes I say to myself, "What are you doing in this absurd job? Why don't you go to Africa and help people?" But I cannot help people because I'm a hypochondriac.
Sometimes I say to myself, "What are you doing in this absurd job? Why don't you go to Africa and help people?" But I cannot help people because I'm a hypochondriac.
I do respect people's faith, but I don't respect their manipulation of that faith to create fear and control.
I do respect people's faith, but I don't respect their manipulation of that faith to create fear and control.
Everybody in Spain is sick of me. But in America, there's a curiosity about the new kid on the block who doesn't speak English very well. The attention makes me feel vulnerable, which is something I hadn't felt in a while. But I like it.
Everybody in Spain is sick of me. But in America, there's a curiosity about the new kid on the block who doesn't speak English very well. The attention makes me feel vulnerable, which is something I hadn't felt in a while. But I like it.
[on how has fame changed his life] Mostly, it's the same. I put on a hat and dark glasses and I can walk anywhere. But there are still questions which invade your privacy. I don't really know why people need to know personal details about other people's lives. It's out of control. For a lot of people, the press is now the enemy.
[on how has fame changed his life] Mostly, it's the same. I put on a hat and dark glasses and I can walk anywhere. But there are still questions which invade your privacy. I don't really know why people need to know personal details about other people's lives. It's out of control. For a lot of people, the press is now the enemy.
I like to take a year off between films. Some actors need to work for the money, but money is not a priority for me. I don't have the need for a lot of cars or houses. Since I am a tomato in the market, I have a price. They have to pay the price, but money is not my biggest priority.
I like to take a year off between films. Some actors need to work for the money, but money is not a priority for me. I don't have the need for a lot of cars or houses. Since I am a tomato in the market, I have a price. They have to pay the price, but money is not my biggest priority.
I always say "I don't believe in God, I believe in Al Pacino" - and that's true. If I ever get a phone call saying "Would you like to work with Pacino?" I would go crazy.
I always say "I don't believe in God, I believe in Al Pacino" - and that's true. If I ever get a phone call saying "Would you like to work with Pacino?" I would go crazy.
[on any concern he may have with being typecast] I'm not worried. I always try different things. My dream would be, when I'm old, to put all my characters in a room and realize that they can't talk to each other because they don't have anything to share.
[on any concern he may have with being typecast] I'm not worried. I always try different things. My dream would be, when I'm old, to put all my characters in a room and realize that they can't talk to each other because they don't have anything to share.
[on his preference between playing a villain or a romantic lead] I try to taste both of them with the same intensity. If you're playing a bad guy whose mind is broken, you have to get in there and find out what triggers those feelings. And once you're on the other side, you have to take that and throw it away. Somebody said "The difference between an artist ...
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[on his preference between playing a villain or a romantic lead] I try to taste both of them with the same intensity. If you're playing a bad guy whose mind is broken, you have to get in there and find out what triggers those feelings. And once you're on the other side, you have to take that and throw it away. Somebody said "The difference between an artist and a person that's crazy is that the artist has a two-way ticket and the crazy person only has a one-way.".
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I truly consider myself non-sexy, which is fine for me. I don't have any problem with that. Sometimes I would like to have Brad Pitt's body. But that's not something that obsesses me in a real way. And second, I truly believe that what I would like to portray on-screen or on stage are human beings, and human beings usually are not as handsome as movie stars....
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I truly consider myself non-sexy, which is fine for me. I don't have any problem with that. Sometimes I would like to have Brad Pitt's body. But that's not something that obsesses me in a real way. And second, I truly believe that what I would like to portray on-screen or on stage are human beings, and human beings usually are not as handsome as movie stars. But most times being handsome on-screen or being handsome for real life, has to do much more with your vanity and your profound need to be liked by the rest of the people, be loved by the rest of the people.
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When the Coens called [about casting him in No Country for Old Men (2007)], I said, "Listen, I'm the wrong actor. I don't drive, I speak bad English, and I hate violence." They laughed and said, "Maybe that's why we called you.".
When the Coens called [about casting him in No Country for Old Men (2007)], I said, "Listen, I'm the wrong actor. I don't drive, I speak bad English, and I hate violence." They laughed and said, "Maybe that's why we called you.".
The only thing I can do is act, but it's not something I even feel comfortable doing. It costs me a lot, because I'm a shy person, even if I don't look it.
The only thing I can do is act, but it's not something I even feel comfortable doing. It costs me a lot, because I'm a shy person, even if I don't look it.
We actors always say how difficult and physically demanding a role was. But give me a break, it's only a movie.
We actors always say how difficult and physically demanding a role was. But give me a break, it's only a movie.
What does my performance have to do with Russell Crowe's? Nothing. If I play Gladiator (2000) and we all play "Gladiator" with Ridley Scott in the same amount of time, maybe we have a chance to see who did it best.
What does my performance have to do with Russell Crowe's? Nothing. If I play Gladiator (2000) and we all play "Gladiator" with Ridley Scott in the same amount of time, maybe we have a chance to see who did it best.
All of the good movies are based on how that story was told. And you cannot do it with a bad script, that's for sure, no matter who.
All of the good movies are based on how that story was told. And you cannot do it with a bad script, that's for sure, no matter who.
[on working with Alejandro Amenábar again] I wish I could work with him again. He's so secret. He doesn't even tell me and I go, "Give me a break, man. Give me a role." He works secretly. I guess he will be shooting soon. I hope so, because he's amazing.
[on working with Alejandro Amenábar again] I wish I could work with him again. He's so secret. He doesn't even tell me and I go, "Give me a break, man. Give me a role." He works secretly. I guess he will be shooting soon. I hope so, because he's amazing.
[on his character of Chigurh in No Country for Old Men (2007)] All the work I usually do: imagining the past, the circumstances of the character in this case I didn't do it. We all saw him as a force of nature, the embodiment of violence.
[on his character of Chigurh in No Country for Old Men (2007)] All the work I usually do: imagining the past, the circumstances of the character in this case I didn't do it. We all saw him as a force of nature, the embodiment of violence.
I'm getting more comfortable now, but it will never get to the point as if you are doing it in your own language. When I say, "I love you" or "I hate you" in Spanish, many things come to my mind, aspects of my own life. When I say it in English, I don't have the memories.
I'm getting more comfortable now, but it will never get to the point as if you are doing it in your own language. When I say, "I love you" or "I hate you" in Spanish, many things come to my mind, aspects of my own life. When I say it in English, I don't have the memories.
[on No Country for Old Men (2007)] I think the movie speaks of a lack of meaning in violence. I embody violence, I am violence itself in the movie, and there is a man... who is trying to understand the meaning of it and at the end there is no meaning.
[on No Country for Old Men (2007)] I think the movie speaks of a lack of meaning in violence. I embody violence, I am violence itself in the movie, and there is a man... who is trying to understand the meaning of it and at the end there is no meaning.
I'm proud of the fact that I got so many people to sit down and watch a story like Before Night Falls (2000) even at the expense, I felt, of some of my personal life.
I'm proud of the fact that I got so many people to sit down and watch a story like Before Night Falls (2000) even at the expense, I felt, of some of my personal life.
[on his Oscar nomination for Before Night Falls (2000)] It's exhausting, almost a full-time job. Last time I found it was too much about bringing attention to yourself.
[on his Oscar nomination for Before Night Falls (2000)] It's exhausting, almost a full-time job. Last time I found it was too much about bringing attention to yourself.
It would be amazing to think your film or your performance had the power to make changes, but it's enough that it makes people talk and think. Maybe they shouldn't do anything anyway. The Church has strong feelings and we respect that.
It would be amazing to think your film or your performance had the power to make changes, but it's enough that it makes people talk and think. Maybe they shouldn't do anything anyway. The Church has strong feelings and we respect that.
We are so scared about talking about death that we are letting people die in silence. It is good to talk publicly.
We are so scared about talking about death that we are letting people die in silence. It is good to talk publicly.
I live in Spain. Oscars are something that are on television Sunday night, basically, very late at night. You don't watch, you just read the news after to see who won or who lost... The award is important in order to bring people to the movie theater. That's the only principal meaning of any award.
I live in Spain. Oscars are something that are on television Sunday night, basically, very late at night. You don't watch, you just read the news after to see who won or who lost... The award is important in order to bring people to the movie theater. That's the only principal meaning of any award.
[on his girlfriend Cristina, who is a translator and coaching him in English] I'm in love with my English teacher. We have many of our lessons in bed.
[on his girlfriend Cristina, who is a translator and coaching him in English] I'm in love with my English teacher. We have many of our lessons in bed.
One of my dreams came true when [Julian Schnabel] showed the movie [Before Night Falls (2000)] to Al Pacino and he called me at 3 a.m. Spanish time and told me he liked my performance. I told him, "There are two things I believe in, God and Al Pacino" [Bardem has, himself, corrected this statements saying "I always said that I don't believe in God, I believe...
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One of my dreams came true when [Julian Schnabel] showed the movie [Before Night Falls (2000)] to Al Pacino and he called me at 3 a.m. Spanish time and told me he liked my performance. I told him, "There are two things I believe in, God and Al Pacino" [Bardem has, himself, corrected this statements saying "I always said that I don't believe in God, I believe in Al Pacino"]
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Javier Bardem
Javier Bardem is the youngest member of a family of actors that has been making films since the early days of Spanish cinema.He was born in Las Palmas de Gran Canaria, Spain, to actress Pilar Bardem (María del Pilar Bardem Muñoz) and businessman José Carlos Encinas Doussinague. His maternal grandparents were actors Rafael Bardem and Matilde Muñoz Sampedro, and his uncle is screenwriter Juan Antonio Bardem. He got his start in the family business, at age six, when he appeared in his first feature, "El picaro" (1974) (A.K.A. The Scoundrel). During his teenage years, he acted in several TV series, played rugby for the Spanish National Team, and toured the country with an independent theatrical group. Javier's early film role as a sexy stud in the black comedy, Jamón Jamón (1992) (aka Ham Ham) propelled him to instant popularity and threatened to typecast him as nothing more than a brawny sex symbol. Determined to avert a beefcake image, he refused similar subsequent roles and has gone on to win acclaim for his ability to appear almost unrecognizable from film to film. With over 25 movies and numerous awards under his belt, it is Javier's stirring, passionate performance as the persecuted Cuban writer, Reynaldo Arenas, in Before Night Falls (2000) that will long be remembered as his breakthrough role. He received five Best Actor awards and a Best Actor Oscar nomination for his portrayal.
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