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Jennifer Connelly
Birthday:
12 December 1970
Birth Name:
Jennifer Lynn Connelly
Height:
169 cm
Biography
[on growing up with a Catholic father and a Jewish mother] Ultimately I'm an Irish Catholic Jew. I'm riddled with guilt!
[on growing up with a Catholic father and a Jewish mother] Ultimately I'm an Irish Catholic Jew. I'm riddled with guilt!
[about her son] I don't think I would be doing this quality of work if it hadn't been for my son. He's changed me. He's helped me to understand myself and find my place in the world.
[about her son] I don't think I would be doing this quality of work if it hadn't been for my son. He's changed me. He's helped me to understand myself and find my place in the world.
[on "The Ball Room Dance" scene, her favorite from Labyrinth (1986)]: I wore a beautiful silver ball gown, which was a refreshing change from the blue jeans I wore in almost every other scene. It was really a gorgeous set, with masses of huge chandeliers and thousands of flickering candles, hundreds of silken cushions and curtains, and masses of people in st...
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[on "The Ball Room Dance" scene, her favorite from Labyrinth (1986)]: I wore a beautiful silver ball gown, which was a refreshing change from the blue jeans I wore in almost every other scene. It was really a gorgeous set, with masses of huge chandeliers and thousands of flickering candles, hundreds of silken cushions and curtains, and masses of people in strange masks and ornate dresses. There was the thrill of dancing with David Bowie to one of the songs he composed especially for the film. There wasn't enough room, for technical reasons, to really dance around properly, but we just drifted slowly and gracefully (I hope!) to David's music, and he looked fabulous! It's all a sort of magical fantasy sequence inside a huge bubble.
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[talking about her son Kai Dugan]: We've already done plays together. Very short plays. He dictates them to me. Sometimes he casts me, sometimes he doesn't. And when I'm in the play, he'll sometimes say to me, "No Mom, you didn't say that right!"
[talking about her son Kai Dugan]: We've already done plays together. Very short plays. He dictates them to me. Sometimes he casts me, sometimes he doesn't. And when I'm in the play, he'll sometimes say to me, "No Mom, you didn't say that right!"
[Talking about her character in A Beautiful Mind (2001)]: Alicia is the person who's trying to ground John Nash in reality and bring him home, literally, and back to what he was. In "A Beautiful Mind", there are scenes that were painful and scary and sad. I didn't have to go through degradation as I did in Requiem for a Dream (2000), but there is a lot of em...
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[Talking about her character in A Beautiful Mind (2001)]: Alicia is the person who's trying to ground John Nash in reality and bring him home, literally, and back to what he was. In "A Beautiful Mind", there are scenes that were painful and scary and sad. I didn't have to go through degradation as I did in Requiem for a Dream (2000), but there is a lot of emotional terrain in this movie. There's a tragedy in the family and it takes a toll on each of them as they try to live with each other.
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[talking about the films she did in the beginning of her career]: You don't want to get rid of your experiences, because they're your experiences - good or bad - and you need them, but it would be great if they weren't on the video shelf!
[talking about the films she did in the beginning of her career]: You don't want to get rid of your experiences, because they're your experiences - good or bad - and you need them, but it would be great if they weren't on the video shelf!
I so much enjoy being able to completely allow myself to be consumed by a role, and really grow in the process,once you've done that, it's hard to go back working on things you don't care about.
I so much enjoy being able to completely allow myself to be consumed by a role, and really grow in the process,once you've done that, it's hard to go back working on things you don't care about.
Acting is great. When it works it is so fulfilling. You do the research and work with other talented people who are creative and compassionate and use all your faculties. The ability to express yourself completely is the most wonderful feeling in the world. Each film is a chapter in my life wherein I learn so much more about myself.
Acting is great. When it works it is so fulfilling. You do the research and work with other talented people who are creative and compassionate and use all your faculties. The ability to express yourself completely is the most wonderful feeling in the world. Each film is a chapter in my life wherein I learn so much more about myself.
Jennifer Connelly
Jennifer Connelly was born in the Catskill Mountains, New York, to Ilene (Schuman), a dealer of antiques, and Gerard Connelly, a clothing manufacturer. Her father had Irish and Norwegian ancestry, and her mother was from a Jewish immigrant family. Jennifer grew up in Brooklyn Heights, just across the Brooklyn Bridge from Manhattan, except for the four years her parents spent in Woodstock, New York. Back in Brooklyn Heights, she attended St. Ann's school. A close friend of the family was an advertising executive. When Jennifer was ten, he suggested that her parents take her to a modeling audition. She began appearing in newspaper and magazine ads (among them "Seventeen" magazine), and soon moved on to television commercials. A casting director saw her and introduced her to Sergio Leone, who was seeking a young girl to dance in his gangster epic Once Upon a Time in America (1984). Although having little screen time, the few minutes she was on-screen were enough to reveal her talent. Her next role after that was an episode of the British horror anthology TV series Tales of the Unexpected (1979) in 1984.After Leone's movie, horror master Dario Argento signed her to play her first starring role in his thriller Phenomena (1985). The film made a lot of money in Europe but, unfortunately, was heavily cut for American distribution. Around the same time, she appeared in the rock video "I Drove All Night," a Roy Orbison song, co-starring Jason Priestley. She released a single called "Monologue of Love" in Japan in the mid-1980s, in which she sings in Japanese a charming little song with semi-classical instruments arrangement. On the B-side is "Message Of Love," which is an interview with music in background. She also appeared in television commercials in Japan.She enrolled at Yale, and then transferred two years later to Stanford. She trained in classical theater and improvisation, studying with the late drama coach Roy London, Howard Fine, and Harold Guskin.The late 1980s saw her starring in a hit and three lesser seen films. Amongst the latter was her roles in Étoile (1989), as a ballerina and in Some Girls (1988), where she played a self-absorbed college freshman. The hit was Labyrinth (1986), released in 1986. Jennifer got the job after a nationwide talent search for the lead in this fantasy directed by Jim Henson and produced by George Lucas. Her career entered in a calm phase after those films, until Dennis Hopper, who was impressed after having seen her in "Some Girls", cast Jennifer as an ingénue small-town girl in The Hot Spot (1990), based upon the 1950s crime novel "Hell Hath No Fury". It received mixed critical reviews, but it was not a box office success.The Rocketeer (1991), an ambitious Touchstone super-production, came to the rescue. The film was an old-fashioned adventure flick about a man capable of flying with rockets on his back. Critics saw in "Rocketeer" a top-quality movie, a homage to those old films of the 1930s in which the likes of Errol Flynn starred. After "Rocketeer," Jennifer made Career Opportunities (1991), The Heart of Justice (1992), Mulholland Falls (1996), and Inventing the Abbotts (1997). In 1998, she was invited by director Alex Proyas to make Dark City (1998), a strange, visually stunning science-fiction extravaganza. In this movie, Jennifer played the main character's wife, and she delivered an acclaimed performance. The film itself didn't break any box-office record but received positive reviews. This led Jennifer to a contract with Fox for the television series The $treet (2000), a main part in the memorable and dramatic love-story Waking the Dead (2000) and, more important, a breakthrough part in the polemic and applauded independent Requiem for a Dream (2000), a tale about the haunting lives of drug addicts and the subsequent process of decadence and destruction. In "Requiem for a Dream," Jennifer had her career's most courageous, difficult part, a performance that earned her a Spirit Award Nomination. She followed this role with Pollock (2000), in which she played Pollock's mistress, Ruth Klingman. Most recently, Ron Howard chose her to co-star with Russell Crowe in A Beautiful Mind (2001), the film that tells the true story of John Nash, a man who suffered from mental illness but eventually beats this and wins the Nobel Prize in 1994. Jennifer played Nash's wife and won a Golden Globe, BAFTA, AFI and Oscar as Best Supporting Actress.Jennifer lives in New York. She is 5'7", and speaks fluent Italian and French. She enjoys physical activities such as swimming, gymnastics, and bike riding. She is also an outdoors person -- camping, hiking and walking, and is interested in quantum physics and philosophy. She likes horses, Pearl Jam, SoundGarden, Jesus Jones, and occasionally wears a small picture of the The Dalai Lama on a necklace. Her favorite colors are cobalt blue, forest green, and "very pale green/gray -- sort of like the color of the sea". She likes to draw.
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Jennifer Connelly Filmography

Dark Matter - Season 1 (2024)
Jim Henson: Idea Man
The Late Show with Stephen Colbert - Season 10
Snowpiercer - Season 4
American Idol - Season 22
The Graham Norton Show - Season 31
The Late Show with Stephen Colbert - Season 9
The Oscars (2023)
Late Night with Seth Meyers - Season 11
Bad Behaviour
American Idol - Season 21
The Graham Norton Show - Season 30
Top Gun: Maverick
Sergio Leone - L'italiano che inventò l'America
Snowpiercer - Season 3

Jennifer Connelly Roles

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