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Julie Delpy
Birthday:
21 December 1969
Height:
173 cm
Biography
[on her Hollywood movies] Every time I've become a part of the Hollywood mainstream, it's been crap!
[on her Hollywood movies] Every time I've become a part of the Hollywood mainstream, it's been crap!
[on the Weinstein Company] In the '90s, there were real independent movies, but they have slowly been crushed by the majors. The minute they take over something, they crush it.
[on the Weinstein Company] In the '90s, there were real independent movies, but they have slowly been crushed by the majors. The minute they take over something, they crush it.
[on Oscar voters] It's 90% white men over 70 who need money because they haven't done anything in a long time, you just need to give them two or three presents and they're in your pocket. It doesn't mean anything to me, so I don't really care if there are women in the selection process.
[on Oscar voters] It's 90% white men over 70 who need money because they haven't done anything in a long time, you just need to give them two or three presents and they're in your pocket. It doesn't mean anything to me, so I don't really care if there are women in the selection process.
[on Before Midnight (2013)] I wanted it to be realistic! Sometimes I see films where people have sex with a bra on. I mean, what country do they come from? I don't think I've ever had sex with a bra on in my life, except maybe once. It's not the most comfortable thing to be acting topless. I've never actually showed my body that much, even though I'm a Frenc...
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[on Before Midnight (2013)] I wanted it to be realistic! Sometimes I see films where people have sex with a bra on. I mean, what country do they come from? I don't think I've ever had sex with a bra on in my life, except maybe once. It's not the most comfortable thing to be acting topless. I've never actually showed my body that much, even though I'm a French actress. It was a big deal for me to do it. This movie isn't fantasy. This is a film for people who can handle a pair of tits.
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[on Before Midnight (2013)] The dynamic of the first two films was pretty similar, it was about connecting and then reconnecting. This one is different in that it concerns the problems that stem from being connected. It's about being tethered, feeling trapped.
[on Before Midnight (2013)] The dynamic of the first two films was pretty similar, it was about connecting and then reconnecting. This one is different in that it concerns the problems that stem from being connected. It's about being tethered, feeling trapped.
I have no problem with crudeness. I never go overboard because I don't want to be tacky, but I think a certain crudeness is funny. I've always been like that.
I have no problem with crudeness. I never go overboard because I don't want to be tacky, but I think a certain crudeness is funny. I've always been like that.
A lot of people expect women to have a certain limit to how polite they can be. It seems it's more the domain of men to say things that are really outrageous. So, for me it's very freeing as a woman to not even be politically correct about feminism. Obviously I'm for women's rights and I'm very feminist, but I'm beyond feminism.
A lot of people expect women to have a certain limit to how polite they can be. It seems it's more the domain of men to say things that are really outrageous. So, for me it's very freeing as a woman to not even be politically correct about feminism. Obviously I'm for women's rights and I'm very feminist, but I'm beyond feminism.
[on 2 Days in New York (2012)] I thought "How can I make money from something I don't personally value, but people would value?" And I thought, "Oh, my soul. Some people believe in the soul, so maybe someone would buy it". And I thought of putting it on eBay, just for fun, at one point. I didn't, but it gave me the idea of using it in the film.
[on 2 Days in New York (2012)] I thought "How can I make money from something I don't personally value, but people would value?" And I thought, "Oh, my soul. Some people believe in the soul, so maybe someone would buy it". And I thought of putting it on eBay, just for fun, at one point. I didn't, but it gave me the idea of using it in the film.
I'm an adaptable nomad. I love Paris, I've been living in Los Angeles and New York since 1990. I love London, too. My roots are inside of me.
I'm an adaptable nomad. I love Paris, I've been living in Los Angeles and New York since 1990. I love London, too. My roots are inside of me.
Julie Delpy
Julie Delpy was born in Paris, France, in 1969 to Albert Delpy and Marie Pillet, both actors.She was first featured in Jean-Luc Godard's Détective (1985) at the age of fourteen. She has starred in many American and European productions since then, including Disney's The Three Musketeers (1993), Killing Zoe (1993), Trois couleurs: Blanc (1994), and the "Before" series, alongside Ethan Hawke: Before Sunrise (1995), Before Sunset (2004), and Before Midnight (2013).She graduated from NYU's film school, and wrote and directed the short film Blah Blah Blah (1995), which screened at the Sundance Film Festival. She is a resident of Los Angeles.
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Julie Delpy Filmography

Real Time with Bill Maher - Season 23
Hostage - Season 1
Real Time with Bill Maher - Season 22
The Talk - Season 14
Real Time with Bill Maher - Season 21
Godard seul le cinéma [Audio: French]
The Lesson (2023)
Real Time with Bill Maher - Season 20
The Talk - Season 13
Real Time with Bill Maher - Season 19
On the Verge - Season 1
Real Time with Bill Maher - Season 18
Real Time with Bill Maher - Season 17
Be Natural: The Untold Story of Alice Guy-Blaché
Real Time with Bill Maher - Season 16

Julie Delpy Roles

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