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Leni Riefenstahl
Birthday:
August 22
Birth Name:
Helene Bertha Amalie Riefenstahl
Biography
If I, as so many other colleagues, would have worked for the sake of money, I could have become a millionaire. But money was of no importance to me. I worked on a film for years until I thought it artistically perfected. I was my own boss, nobody could tell me what to do. Had I ever had the impression that my freedom as a creative artist would be limited, I ...
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If I, as so many other colleagues, would have worked for the sake of money, I could have become a millionaire. But money was of no importance to me. I worked on a film for years until I thought it artistically perfected. I was my own boss, nobody could tell me what to do. Had I ever had the impression that my freedom as a creative artist would be limited, I would have gone abroad.
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I was never Hitler's mistress - although I was dazzled by him. These are nothing but lies. It is senseless to call me the queen of the Nazis. I have never spoken a word about politics. It is all lies and forgeries. If I had really been a Nazi I would have killed myself, like Eva Braun. I have never said that Hitler was handsome and intelligent. I am not an i...
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I was never Hitler's mistress - although I was dazzled by him. These are nothing but lies. It is senseless to call me the queen of the Nazis. I have never spoken a word about politics. It is all lies and forgeries. If I had really been a Nazi I would have killed myself, like Eva Braun. I have never said that Hitler was handsome and intelligent. I am not an idiot. I have never seen mass executions and I have never seen a concentration camp.
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Really, if I start a work I forget food. I forget that I am a woman. I forget my dress, I only see my work. I forget because I am fascinated by my work.
Really, if I start a work I forget food. I forget that I am a woman. I forget my dress, I only see my work. I forget because I am fascinated by my work.
I told Hitler that filming the party congress was too difficult for a girl. I told him the men are jealous and the problems I encountered affected my nerves. Hitler became very angry. He told Goebbels that when he gave an order, Goebbels was supposed to obey it. Hitler then told me that I must make a film of the congress in 1934 but I protested, saying that ...
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I told Hitler that filming the party congress was too difficult for a girl. I told him the men are jealous and the problems I encountered affected my nerves. Hitler became very angry. He told Goebbels that when he gave an order, Goebbels was supposed to obey it. Hitler then told me that I must make a film of the congress in 1934 but I protested, saying that the same thing would happen. He... assured me that there would be no interference.
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[In a 1993 interview, commenting on her work with the Nazi party] "Being sorry isn't nearly enough, but I can't tear myself apart or destroy myself. It's so terrible. I've suffered anyway for over half a century and it will never end, until I die. It's such an incredible burden, that to say 'sorry'... it's inadequate, it expresses too little."
[In a 1993 interview, commenting on her work with the Nazi party] "Being sorry isn't nearly enough, but I can't tear myself apart or destroy myself. It's so terrible. I've suffered anyway for over half a century and it will never end, until I die. It's such an incredible burden, that to say 'sorry'... it's inadequate, it expresses too little."
[recalling at age 83 her 1936 film Les dieux du stade, la fête des peuples (1938), which identified her with Adolf Hitler and the Nazi Party] "They killed me then. I am a ghost."
[recalling at age 83 her 1936 film Les dieux du stade, la fête des peuples (1938), which identified her with Adolf Hitler and the Nazi Party] "They killed me then. I am a ghost."
I filmed the truth as it was then. Nothing more.
I filmed the truth as it was then. Nothing more.
Leni Riefenstahl
Leni Riefenstahl's show-biz experience began with an experiment: she wanted to know what it felt like to dance on the stage. Success as a dancer gave way to film acting when she attracted the attention of film director Arnold Fanck, subsequently starring in some of his mountaineering pictures. With Fanck as her mentor, Riefenstahl began directing films.Her penchant for artistic work earned her acclaim and awards for her films across Europe. It was her work on Le triomphe de la volonté (1935), a documentary commissioned by the Nazi government about Adolf Hitler and the Third Reich, that would come back to haunt her after the atrocities of World War II. Despite her protests to the contrary, Riefenstahl was considered an intricate part of the Third Reich's propaganda machine. Condemned by the international community, she did not make another movie for over 50 years.
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