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Montgomery Clift
Birthday:
17 October 1920
Birth Name:
Edward Montgomery Clift
Height:
178 cm
Biography
If I'm not interested in the movie, the audience is not going to be. How can you interest the audience if you're not interested yourself?
If I'm not interested in the movie, the audience is not going to be. How can you interest the audience if you're not interested yourself?
The only line that's wrong in William Shakespeare is 'holding a mirror up to nature'. You hold a magnifying glass up to nature. As an actor, you just enlarge it enough so that your audience can identify with the situation. If it were a mirror, we would have no art.
The only line that's wrong in William Shakespeare is 'holding a mirror up to nature'. You hold a magnifying glass up to nature. As an actor, you just enlarge it enough so that your audience can identify with the situation. If it were a mirror, we would have no art.
Look, I'm not odd. I'm just trying to be an actor; not a movie star, an actor.
Look, I'm not odd. I'm just trying to be an actor; not a movie star, an actor.
I watched myself in Red River (1948) and I knew I was going to be famous, so I decided I would get drunk anonymously one last time.
I watched myself in Red River (1948) and I knew I was going to be famous, so I decided I would get drunk anonymously one last time.
My childhood was hobgoblin - my parents traveled a lot. That's all I can remember.
My childhood was hobgoblin - my parents traveled a lot. That's all I can remember.
There are parts of me all over the hospital. They can't find my colon. I know they must have been looking for it for days, but they haven't mentioned it to me because they will think I'll get upset. I don't care. To hell with it.
There are parts of me all over the hospital. They can't find my colon. I know they must have been looking for it for days, but they haven't mentioned it to me because they will think I'll get upset. I don't care. To hell with it.
Noah, from The Young Lions (1958), was the best performance of my life. I couldn't have given more of myself. I'll never be able to do it again. Never.
Noah, from The Young Lions (1958), was the best performance of my life. I couldn't have given more of myself. I'll never be able to do it again. Never.
[on being born the younger twin] I was always the gentleman. I let my sister see the moon before I did!
[on being born the younger twin] I was always the gentleman. I let my sister see the moon before I did!
[on Elizabeth Taylor] Liz is the only woman I have ever met who turns me on. She feels like the other half of me.
[on Elizabeth Taylor] Liz is the only woman I have ever met who turns me on. She feels like the other half of me.
[on Marilyn Monroe] Marilyn was an incredible person to act with, the most marvelous I ever worked with and I have been working for 29 years.
[on Marilyn Monroe] Marilyn was an incredible person to act with, the most marvelous I ever worked with and I have been working for 29 years.
I feel my real talent lies in directing for my later years.
I feel my real talent lies in directing for my later years.
I don't want to be labeled as either a pansy or a heterosexual. Labeling is so self-limiting. We are what we do, not what we say we are.
I don't want to be labeled as either a pansy or a heterosexual. Labeling is so self-limiting. We are what we do, not what we say we are.
Good dialogue simply isn't enough to explain all the infinite gradations of a character. It's behavior -- it's what's going on behind the lines.
Good dialogue simply isn't enough to explain all the infinite gradations of a character. It's behavior -- it's what's going on behind the lines.
[on his arrival in Hollywood] I told them I wanted to choose my scripts and my directors myself. "But sweetheart," they said, "you're going to make a lot of mistakes." And I told them, "You don't understand; I want to be free to do so.".
[on his arrival in Hollywood] I told them I wanted to choose my scripts and my directors myself. "But sweetheart," they said, "you're going to make a lot of mistakes." And I told them, "You don't understand; I want to be free to do so.".
I keep my family out of my public life because it can be an awful nuisance to them. What's my mother going to tell strangers anyway? That I was a cute baby and that she's terribly proud of me? Nuts. Who cares?
I keep my family out of my public life because it can be an awful nuisance to them. What's my mother going to tell strangers anyway? That I was a cute baby and that she's terribly proud of me? Nuts. Who cares?
I love the stage, but after a few months you can get tired. I would rather do three movies than play in one stage hit. I played in four flops in a row when I was about 17 and I was delighted. I was being paid to be trained.
I love the stage, but after a few months you can get tired. I would rather do three movies than play in one stage hit. I played in four flops in a row when I was about 17 and I was delighted. I was being paid to be trained.
What do I have to do to prove I can act?
What do I have to do to prove I can act?
[his reported last words, upon being asked if he wanted to see one of his movies on television] Absolutely not!
[his reported last words, upon being asked if he wanted to see one of his movies on television] Absolutely not!
Montgomery Clift
Edward Montgomery Clift (nicknamed 'Monty' his entire life) was born on October 17, 1920 in Omaha, Nebraska, just after his twin sister Roberta and eighteen months after his brother Brooks Clift. He was the son of Ethel "Sunny" Anderson (Fogg) and William Brooks Clift. His father made a lot of money in banking but was quite poor during the depression. His mother was born out of wedlock and spent much of her life and the family fortune finding her illustrious southern lineage and raising her children as aristocrats.At age 13, Monty appeared on Broadway ("Fly Away Home"), and chose to remain in the New York theater for over ten years before finally succumbing to Hollywood. He gained excellent theatrical notices and soon piqued the interests of numerous lovelorn actresses; their advances met with awkward conflict. While working in New York in the early 1940s, he met wealthy former Broadway star Libby Holman. She developed an intense decade-plus obsession over the young actor, even financing an experimental play, "Mexican Mural" for him. It was ironic his relationship with the bisexual middle-aged Holman would be the principal (and likely the last) heterosexual relationship of his life and only cause him further anguish over his sexuality. She would wield considerable influence over the early part of his film career, advising him in decisions to decline lead roles in Sunset Blvd. (1950), (originally written specifically for him; the story perhaps hitting a little too close to home) and High Noon (1952).His long apprenticeship on stage made him a thoroughly accomplished actor, notable for the intensity with which he researched and approached his roles. By the early 1950's he was exclusively homosexual, though he continued to hide his homosexuality and maintained a number of close friendships with theater women (heavily promoted by studio publicists).His film debut was Red River (1948) with John Wayne quickly followed by his early personal success The Search (1948) (Oscar nominations for this, A Place in the Sun (1951), From Here to Eternity (1953) and Judgment at Nuremberg (1961)). By 1950, he was troubled with allergies and colitis (the U.S. Army had rejected him for military service in World War II for chronic diarrhea) and, along with pill problems, he was alcoholic. He spent a great deal of time and money on psychiatry.In 1956, during filming of Raintree County (1957), he ran his Chevrolet into a tree after leaving a party at Elizabeth Taylor's; it was she who saved him from choking by pulling out two teeth lodged in his throat. His smashed face was rebuilt, he reconciled with his estranged father, but he continued bedeviled by dependency on drugs and his unrelenting guilt over his homosexuality.With his Hollywood career in an irreversible slide (despite giving an occasional riveting performance, such as in Stanley Kramer's Judgment at Nuremberg (1961)), Monty returned to New York and tried to slowly develop a somewhat more sensible lifestyle in his brownstone row house on East 61st Street in Manhattan. He was set to play in Taylor's Reflections in a Golden Eye (1967), when he died on the early morning hours of July 23, 1966 at his home at age 45. His body was found by his live-in personal secretary/companion Lorenzo James who found Clift lying nude on top of his bed, dead from what the autopsy called "occlusive coronary artery disease." Clift's last 10 years prior to his death from his 1956 car accident was called the "longest suicide in history" by famed acting teacher, Robert Lewis.
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Montgomery Clift Filmography

Dean Martin: King of Cool
Listen to Me Marlon
These Amazing Shadows
The Celluloid Closet
Freud
Judgment at Nuremberg
The Misfits
Wild River
Suddenly, Last Summer
The Young Lions
Raintree County
From Here To Eternity
A Place In The Sun
The Heiress
Red River

Montgomery Clift Roles

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