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Nicholas Eadie
Birthday:
1958
Biography
"A good story is a good story, it doesn't really matter when it is set so comedy always works. If its funny it'll work." (Source: interview as part of the Behind the scenes special features on the Dad and Dave DVD)
"A good story is a good story, it doesn't really matter when it is set so comedy always works. If its funny it'll work." (Source: interview as part of the Behind the scenes special features on the Dad and Dave DVD)
"I often think theatre actors have technique that some people who have never worked on stage would not have". (Source: interview as part of the Behind the scenes special features on the Dad and Dave DVD)
"I often think theatre actors have technique that some people who have never worked on stage would not have". (Source: interview as part of the Behind the scenes special features on the Dad and Dave DVD)
Call me old-fashioned, but I see actors as a blank canvas - that's what they should be. This whole business of celebrity worship and knowing everything about an actor is detrimental to the craft. I know when I go to the movies nowadays, I often know so much about the people on screen, through magazines and interviews and celebrity gossip, that I find it hard...
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Call me old-fashioned, but I see actors as a blank canvas - that's what they should be. This whole business of celebrity worship and knowing everything about an actor is detrimental to the craft. I know when I go to the movies nowadays, I often know so much about the people on screen, through magazines and interviews and celebrity gossip, that I find it hard to overcome that and relate to the character they're playing. That's something that, as an actor, I'll always avoid.
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Nicholas Eadie
Nick graduated from NIDA in 1980. His theatre credits include Taming of the Shrew (Melbourne 1998, Sydney 1998/99) and A Midsummer Nights Dream for Elston Hocking and Woods Productions, Macbeth, Three Sisters, Waya, The Crucible, Summer of Aliens, Two Weeks with the Queen, Furious, and Third World Blues for the Sydney Theatre Company, Extremities for Playbox, The Sentimental Bloke and True West for Q Theatre, In Duty Bound for Marion Street Theatre, Cat on a Hot Tin Roof for the Melbourne Theatre Company, and Gary's House and Gulls for the State Theatre Company SA. Most recently, Nick appeared in the Hot House Theatre Production of Big Hair in America, directed by Marion Potts. Nick was awarded an AFI and Logie Award for his performance in Vietnam, a Penguin Award for GP and was also nominated for an AFI for his performance in Fragments of War.
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