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Regina Spektor
Birthday:
18 February 1980
Birth Name:
Regina Ilinichna Spektor
Height:
162 cm
Biography
I've done that kind of stuff in records, where you start going back and you want to just redo everything, destroy everything, because you think it all sucks and you can do it better.
I've done that kind of stuff in records, where you start going back and you want to just redo everything, destroy everything, because you think it all sucks and you can do it better.
It's not like I have all the answers.
It's not like I have all the answers.
I'm like, 'Would you be the person in the room that would boo when Dylan went electric? I know I wouldn't. Or are you the person that left The Beatles after 'She Loves You,' or 'Drive My Car?' You weren't on board for 'Revolution 9' or 'Day In The Life,' were you?'
I'm like, 'Would you be the person in the room that would boo when Dylan went electric? I know I wouldn't. Or are you the person that left The Beatles after 'She Loves You,' or 'Drive My Car?' You weren't on board for 'Revolution 9' or 'Day In The Life,' were you?'
I just like being all over the place and writing whatever comes to mind. Having the tools? It's such a gift.
I just like being all over the place and writing whatever comes to mind. Having the tools? It's such a gift.
I think songwriters are more related to fiction writers. The Odyssey was a story in song. To me, that's so beautiful, all those painted characters, all those travels and adventures.
I think songwriters are more related to fiction writers. The Odyssey was a story in song. To me, that's so beautiful, all those painted characters, all those travels and adventures.
I knew all this Beatles music. I knew the songs phonetically. It was like my whole experience of that music was out of focus, and somebody put the perfect glasses on me, and all of a sudden I could see everything.
I knew all this Beatles music. I knew the songs phonetically. It was like my whole experience of that music was out of focus, and somebody put the perfect glasses on me, and all of a sudden I could see everything.
I've been thinking a lot about space. It was one of those slow-motion realizations how little we are, how far we are from everything else in our solar system. This idea of distance started kind of haunting me. How do you go forth and accomplish things but not end up leaving everything you started out with in the dust?
I've been thinking a lot about space. It was one of those slow-motion realizations how little we are, how far we are from everything else in our solar system. This idea of distance started kind of haunting me. How do you go forth and accomplish things but not end up leaving everything you started out with in the dust?
I would really hate it if I could call up Kafka or Hemingway or Salinger and any question I could throw at them they would have an answer. That's the magic when you read or hear something wonderful - there's no one that has all the answers.
I would really hate it if I could call up Kafka or Hemingway or Salinger and any question I could throw at them they would have an answer. That's the magic when you read or hear something wonderful - there's no one that has all the answers.
I figured, 'If I ever get offered a chance to sign a deal, I'll only do it if I got to do it how I want.' So my contract is structured in such a way that I'm really protected.
I figured, 'If I ever get offered a chance to sign a deal, I'll only do it if I got to do it how I want.' So my contract is structured in such a way that I'm really protected.
Tomorrow you might get a phone call about something wonderful and you might get a phone call about something terrible.
Tomorrow you might get a phone call about something wonderful and you might get a phone call about something terrible.
The only thing they really get to pick is the single. But I get to pick the producer, the songs on the record, the final masters, the artwork. Basically, I hand them a record.
The only thing they really get to pick is the single. But I get to pick the producer, the songs on the record, the final masters, the artwork. Basically, I hand them a record.
I write a tiny fraction of what I used to write. My only job used to be to just write songs, and that was a really nice job to have, but only a tiny amount of people heard those songs, and I didn't make a living from it, and eventually I begged my parents to let me move back into my room.
I write a tiny fraction of what I used to write. My only job used to be to just write songs, and that was a really nice job to have, but only a tiny amount of people heard those songs, and I didn't make a living from it, and eventually I begged my parents to let me move back into my room.
I'd always wanted to work in the studio and experiment with sounds. Things that I'm really influenced by and that I love are like The Beatles and Radiohead, and all those records by bands whose music is really involved.
I'd always wanted to work in the studio and experiment with sounds. Things that I'm really influenced by and that I love are like The Beatles and Radiohead, and all those records by bands whose music is really involved.
It's a real gift to be able to have the works of brilliant, great people to learn from and build from. It gives you so much more to draw on, and then you don't have to be all about three-chord pop songs. I don't really like that kind of writing.
It's a real gift to be able to have the works of brilliant, great people to learn from and build from. It gives you so much more to draw on, and then you don't have to be all about three-chord pop songs. I don't really like that kind of writing.
When you're playing such brilliant music every day, then the last thing you ever want to do is try to write something of your own that's crude and not as good.
When you're playing such brilliant music every day, then the last thing you ever want to do is try to write something of your own that's crude and not as good.
Maybe I am skipping over the city and going from very personal things to the world, from internal experience to giant, far-away-from-space experience.
Maybe I am skipping over the city and going from very personal things to the world, from internal experience to giant, far-away-from-space experience.
I care so much about making things that are useful for people to have and listen to, but I don't care so much that I won't do whatever the hell I want. It's just one of those things.
I care so much about making things that are useful for people to have and listen to, but I don't care so much that I won't do whatever the hell I want. It's just one of those things.
I go through insanity before a show. It's not really a process but it's like absolute mortal fear.
I go through insanity before a show. It's not really a process but it's like absolute mortal fear.
This is the way I wanna die. Torn apart by angry fans who want me to play a different song.
This is the way I wanna die. Torn apart by angry fans who want me to play a different song.
It feels very good to sing in Russian. It feels so good inside my body.
It feels very good to sing in Russian. It feels so good inside my body.
You make something, and you really have fun with it, and you try to put emotion in it, and at the end of the day, you have no idea how the tide is going to fall. You don't know if everyone's going to like it, if everyone's going to hate it, if it's going to be like you're a media darling, or all of a sudden you're a sellout. You have no idea.
You make something, and you really have fun with it, and you try to put emotion in it, and at the end of the day, you have no idea how the tide is going to fall. You don't know if everyone's going to like it, if everyone's going to hate it, if it's going to be like you're a media darling, or all of a sudden you're a sellout. You have no idea.
I used to be such a militant city-ist, but more and more I've seen forests and nature and oceans, and I don't know any more if this is the awesomest way to live.
I used to be such a militant city-ist, but more and more I've seen forests and nature and oceans, and I don't know any more if this is the awesomest way to live.
Usually, I write it all together. The words and the piano part just come to find where they sit together, and the sounds and everything just kind of roll around over and over, until it all settles as a song. Sometimes I'll hum while walking and write a song, but usually I can never figure out a piano part to it later. It just stays an a Capella song.
Usually, I write it all together. The words and the piano part just come to find where they sit together, and the sounds and everything just kind of roll around over and over, until it all settles as a song. Sometimes I'll hum while walking and write a song, but usually I can never figure out a piano part to it later. It just stays an a Capella song.
Regina Spektor
Regina Spektor was born in Moscow, USSR to a musical Jewish family. Her father, Ilya Spektor, is a photographer and violinist. Her mother, Bella Spektor, was a music professor in a Russian college of music and now teaches at a public elementary school in New York. Spektor learned how to play piano by practicing on a Petrof upright that was given to her mother by her grandfather. The family left the Soviet Union in 1989 due to the ethnic and political discrimination which Jews faced; Regina was nine and had to leave her piano behind.The family settled in the Bronx, New York, where Spektor graduated in Fair Lawn public high school. She gradually achieved recognition through performances in the anti-folk scene in downtown New York City, most importantly at the East Village's Sidewalk Cafe. She sold self-produced CDs at her performances during this period: 11:11 (2001) and Songs (2002). Her other album Soviet Kitsch (2004) was also self produced but Sire and Shoplifter Records help produce the album, while Begin to Hope (2006) was completely produced by Spire records. Regina Spektor is best known for her real lyrics that are supported with her completely recognizable and unique voice.
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