Hello? Welcome to Movies Hub!
A comprehensive streaming platform! Access Netflix, HULU, Apple TV, Amazon Prime, HBO, Disney Plus, and numerous others - all with a single subscription!
fast.reliable.streaming.servers.message
Download content in HD quality
great.variety.of.subtitles.message
No Ads, No VPN
TRY IT FOR FREE!
BUY PREMIUM
welcome

THE NUMBER OF SUBSCRIBERS IS LIMITED!

Get Your Premium Subscription ASAP! Places occupied: 4615 of 5000
Dear friend, you are using demo version of the Movies Hub!
Notifications
Samantha Morton
Birthday:
13 May 1977
Birth Name:
Samantha-Jane Morton
Height:
160 cm
Biography
That first Oscar nomination did incredible things for me in the States. I'm grateful for that. It means that I'm able to get an independent movie financed. My name can raise money on a small-budget film. It means I'm able to support the industry.
That first Oscar nomination did incredible things for me in the States. I'm grateful for that. It means that I'm able to get an independent movie financed. My name can raise money on a small-budget film. It means I'm able to support the industry.
The more you do, the more your name stands up and what's for you won't pass you. Besides, Hollywood frightens me. Selling yourself in order to work. Giving a pound of your flesh. Good stories need good actors to make them believable. The more you see someone on magazine covers or selling shampoo, the less you can relate to them as that character.
The more you do, the more your name stands up and what's for you won't pass you. Besides, Hollywood frightens me. Selling yourself in order to work. Giving a pound of your flesh. Good stories need good actors to make them believable. The more you see someone on magazine covers or selling shampoo, the less you can relate to them as that character.
I think people found me unnervingly truthful without any filter in my mouth, and this was deemed very bad, especially for a woman. You are not meant to tell somebody to fuck off if they are being rude - you are meant to find a political, tactical way to get out of a situation. When I was younger if I thought somebody was abusing me I would point it out immed...
Show more
I think people found me unnervingly truthful without any filter in my mouth, and this was deemed very bad, especially for a woman. You are not meant to tell somebody to fuck off if they are being rude - you are meant to find a political, tactical way to get out of a situation. When I was younger if I thought somebody was abusing me I would point it out immediately. I think you just grow up.
Show less
In films, it's just that one minute you're strong, then you're told you're difficult. The minute you say, 'No, I won't take my top off' or 'No, I won't work overtime', you're bloody difficult.
In films, it's just that one minute you're strong, then you're told you're difficult. The minute you say, 'No, I won't take my top off' or 'No, I won't work overtime', you're bloody difficult.
Woody Allen makes Woody Allen comedies and they are all about him. Steven Spielberg likes to tell someone else's story and it is not only about him. Fine direction such as Spielberg's is rare. You have to be very confident to direct actors. Too many directors merely know where to point the camera.
Woody Allen makes Woody Allen comedies and they are all about him. Steven Spielberg likes to tell someone else's story and it is not only about him. Fine direction such as Spielberg's is rare. You have to be very confident to direct actors. Too many directors merely know where to point the camera.
Acting and music are self indulgent professions and they are a luxury unless you love what you do. I have a love/hate relationship with what I do. I think, 'Where's the relevance of this? I'm not a doctor, I'm not an aid worker.' But then I think you only have one life and I am a vessel for stories to be told.
Acting and music are self indulgent professions and they are a luxury unless you love what you do. I have a love/hate relationship with what I do. I think, 'Where's the relevance of this? I'm not a doctor, I'm not an aid worker.' But then I think you only have one life and I am a vessel for stories to be told.
With publicity, you have to retain a level of privacy. For me, work and my life shouldn't be one and the same.
With publicity, you have to retain a level of privacy. For me, work and my life shouldn't be one and the same.
My foster mother died and I did not have a relationship with my real parents. I know who they are. It's not upsetting; it's just the way it is. You cannot change things. My childhood isn't like an albatross around my neck.
My foster mother died and I did not have a relationship with my real parents. I know who they are. It's not upsetting; it's just the way it is. You cannot change things. My childhood isn't like an albatross around my neck.
Samantha Morton
Samantha Morton has established herself as one of the finest actors of her generation, winning Oscar nominations for her turns in Woody Allen's Sweet and Low Down" (1999) and Jim Sheridan's "In America" (2002). She has the talent to become one of the major performers in the cinema of this young century.Samantha Morton was born May 13, 1977 in Nottingham, England to parents who divorced when she was three years old. Peter and Pamela Morton took other spouses and made Samantha part of a mixed family of 13: She has eight brothers and sisters. She turned to play-acting early in her life, while she was a school-girl.At 13, she left regular school to train as an actress at the Central Junior Television Workshop, where she learned her craft for three years. It was at the end of her training then that she decided that a life as a professional actress was for her.She honed her skills in television roles, working her way up from series television to TV-movies and prestigious mini-series, such as Emma (1996) and Jane Eyre (1997). Her first major film role, Under the Skin (1997), won her the Best Actress Award from the Boston Film Critics Society. Woody Allen cast her as Hattie, the "dumb" (unspeaking) lover of Sean Penn's caddish jazz guitarist in Sweet and Lowdown (1999), a beautiful performance in a role that could have flummoxed a less-talented performer. Penn was Oscar-nominated for his performance, but it was Morton's Hattie that was central to the success of the film, Allen's last unqualified success. She provided the moral and narrative center of the film. It was quite a remarkable performance for a 21-year old as she had to do all her acting with her face, having been shorn of her voice. The role of Hattie won Morton a Best Supporting Actress Academy Award nomination.Ironically, Morton had never seen a Woody Allen movie before. (She grew up watching the TV and listening to the radio.) She agreed to do the film after reading the script (as she says, well-written roles for women are hard to find), and the movie made her a hot commodity in Hollywood after she won the Oscar nomination. (She lost out to the ultra-hyped Angelina Jolie.) Morton was offered many roles, but was very choosy as she was not in acting as a game with a payoff of stardom and money.She had consolidated her reputation by following the Allen film up with work in indie features that showed that she was not only talented, but quite courageous as a performer. She played a heroin addict in the underrated Jesus' Son (1999) and gave a brilliant performance in Morvern Callar (2002), the story of a Scottish supermarket clerk coping with her boyfriends suicide.Steven Spielberg cast her opposite superstar Tom Cruise as the clairvoyant in Minority Report (2002), in which she more than held her own opposite Cruise and the special effects. (She took the role as Cruise and Speilberg are favorites of hers). As good as she was, Morton was better served by Irish director Jim Sheridan, Sheridan cast her as a character modeled after his wife in an autobiographical picture more in line with persona and that made better use of her talents. Her performance as the young Irish mother coping with life in New York City in In America (2002) won her numerous critics' awards and another Oscar nod, this time as Best Actress.At this point, one feels that the odds of her winning the Oscar are even or better. Samantha Morton continues to deliver fine work in provocative films such as Michael Winterbottom's Code 46 (2003), though she is branching out towards the mainstream, taking a role in the remake of that perennial family favorite, Lassie (2005).
Close

Samantha Morton Filmography

The Graham Norton Show - Season 32
The Serpent Queen - Season 2
The Late Late Show (Ireland) - Season 62
Loose Women - Season 28
The Graham Norton Show - Season 31
Would I Lie to You? - Season 17
Would I Lie to You? - Season 16
The Burning Girls - Season 1
Dispatches - Season 37
The Graham Norton Show - Season 30
Would I Lie to You? - Season 15
The Serpent Queen - Season 1
The Whale (2022)
She Said
She Said (2022)

Samantha Morton Roles

Want to use without any restrictions?
Get access all the features of Movies Hub just for
Watch Now