[on why he's always returning to the same types of characters] It's convenient. It's not that important that they are directors of films, do you know what I mean? I just know more about them. I don't have this need to go to different professions, different types of characters. What I do with these simple elements-if I can call them elements-in each film is important. Not to look for new material, a new type of character, a new type of professional is against my temperament. My temperament is to work with the things I know already, and then find new things. So a filmmaker is just one of these important, simple elements that I know very well. I don't want to work with or make films about a plane pilot, if I try to describe him maybe I will be very stereotypical.

[on why he uses zooms] I cannot explain to you why I use zooms, I really can't. I started using them on my sixth film. I just felt one day that I would like to get closer to the actors without cutting the shot. By doing it I discovered that I could create a special rhythm in continuity. And it's so easy. I just kept doing it ever since. I didn't want to make it my trademark.

[on how he works] Before shooting I try to observe as much as I can. I don't want to work with my strong intention, because if you work with a strong intention I think what you do is you repeat what you've heard and what you've seen in the past. It's not new. It's not interesting. So what I try to do is observe and respond to what is given. What is given is more interesting than what I craft by my intentions. Intentions always dangerous for me, always stereotypical-not interesting at all. If I have to work in the line of intention, I will not work. It's so boring. It would be like I'd be a construction worker, your whole design would be just like a railroad. I need something new, really unexpected things happen every day. Every day something new has to happen, that way I feel alive and want to work.

When I finish a film, I feel like I have overcome a certain hurdle. It's really good for me as a human being, and I hope that for some people, my films will do the same thing.