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Tallulah Bankhead
Birth Name:
Tallulah Brockman Bankhead
Height:
159 cm
Biography
I only read one book in my life, "White Fang". Fortunately it was so good I never needed to read another.
I only read one book in my life, "White Fang". Fortunately it was so good I never needed to read another.
[on Bette Davis] Bette and I are very good friends, There's nothing I wouldn't say to her face, both of them.
[on Bette Davis] Bette and I are very good friends, There's nothing I wouldn't say to her face, both of them.
They used to photograph Shirley Temple through gauze. They should photograph me through linoleum.
They used to photograph Shirley Temple through gauze. They should photograph me through linoleum.
I've played "Private Lives" everywhere except underwater.
I've played "Private Lives" everywhere except underwater.
Do you want to know why the Giants are going to win the pennant? Well, darlings, I can tell you in two words: Willie Mays.
Do you want to know why the Giants are going to win the pennant? Well, darlings, I can tell you in two words: Willie Mays.
There have been only two geniuses in the world, Willie Mays and Willie Shakespeare. But, darling, I think you'd better put Shakespeare first.
There have been only two geniuses in the world, Willie Mays and Willie Shakespeare. But, darling, I think you'd better put Shakespeare first.
[on being told there was no toilet paper available] Well, do you have two fives for a ten?
[on being told there was no toilet paper available] Well, do you have two fives for a ten?
[To 27 year old bride-to-be Helen Hayes, who was getting married to Charles MacArthur, who asked her what she could do to avoid getting pregnant]: Just what you've always been doing, darling.
[To 27 year old bride-to-be Helen Hayes, who was getting married to Charles MacArthur, who asked her what she could do to avoid getting pregnant]: Just what you've always been doing, darling.
[when researcher Alfred Kinsey asked her for details about her sex life]: Of course, darling, if you'll tell me yours.
[when researcher Alfred Kinsey asked her for details about her sex life]: Of course, darling, if you'll tell me yours.
[when a young actress told her that she drank cranberry juice every morning] Oh, my God, cranberry juice? When I was 16, dahling, I had a shoebox full of cocaine.
[when a young actress told her that she drank cranberry juice every morning] Oh, my God, cranberry juice? When I was 16, dahling, I had a shoebox full of cocaine.
On strategy: I'm the foe of moderation, the champion of excess. If I may lift a line from a die-hard whose identity is lost in the shuffle, I'd rather be strongly wrong than weakly right.
On strategy: I'm the foe of moderation, the champion of excess. If I may lift a line from a die-hard whose identity is lost in the shuffle, I'd rather be strongly wrong than weakly right.
I've tried several varieties of sex, all of which I hate. The conventional position makes me claustrophobic; the others give me a stiff neck and/or lockjaw.
I've tried several varieties of sex, all of which I hate. The conventional position makes me claustrophobic; the others give me a stiff neck and/or lockjaw.
Say anything about me, dahling, as long as it isn't boring.
Say anything about me, dahling, as long as it isn't boring.
Don't think I don't know who's been spreading gossip about me. After all the nice things I've said about that hag [Bette Davis]. When I get hold of her, I'll tear out every hair of her mustache!
Don't think I don't know who's been spreading gossip about me. After all the nice things I've said about that hag [Bette Davis]. When I get hold of her, I'll tear out every hair of her mustache!
No man worth his salt, no man of spirit and spine, no man for whom I could have any respect, could rejoice in the identification of Tallulah's husband. It's tough enough to be bogged down in a legend. It would be even tougher to marry one.
No man worth his salt, no man of spirit and spine, no man for whom I could have any respect, could rejoice in the identification of Tallulah's husband. It's tough enough to be bogged down in a legend. It would be even tougher to marry one.
Nobody can be exactly like me. Even I have trouble doing it.
Nobody can be exactly like me. Even I have trouble doing it.
Cocaine isn't habit-forming. I should know - I've been using it for years.
Cocaine isn't habit-forming. I should know - I've been using it for years.
My father warned me about men and booze, but he never mentioned a word about women and cocaine.
My father warned me about men and booze, but he never mentioned a word about women and cocaine.
I have three phobias which, could I mute them, would make my life as slick as a sonnet, but as dull as ditch water - I hate to go to bed, I hate to get up, and I hate to be alone.
I have three phobias which, could I mute them, would make my life as slick as a sonnet, but as dull as ditch water - I hate to go to bed, I hate to get up, and I hate to be alone.
I'm as pure as the driven slush.
I'm as pure as the driven slush.
It's the good girls who keep diaries; the bad girls never have the time.
It's the good girls who keep diaries; the bad girls never have the time.
If you want to help the American theater, don't be an actress, dahling -- be an audience.
If you want to help the American theater, don't be an actress, dahling -- be an audience.
[on why she called everyone "dahling"] Because all my life, I've been terrible at remembering people's names. I once introduced a friend of mine as Martini. Her name was actually Olive.
[on why she called everyone "dahling"] Because all my life, I've been terrible at remembering people's names. I once introduced a friend of mine as Martini. Her name was actually Olive.
Acting is a form of confusion.
Acting is a form of confusion.
The only thing I regret about my past is the length of it. If I had to live my life again, I'd make the same mistakes, only sooner.
The only thing I regret about my past is the length of it. If I had to live my life again, I'd make the same mistakes, only sooner.
The only man in theater who can count on steady work is the night watchman.
The only man in theater who can count on steady work is the night watchman.
I read Shakespeare and the Bible, and I can shoot dice. That's what I call a liberal education.
I read Shakespeare and the Bible, and I can shoot dice. That's what I call a liberal education.
[on seeing a former lover for the first time in years] I thought I told you to wait in the car.
[on seeing a former lover for the first time in years] I thought I told you to wait in the car.
I was there in the south of France when Zelda [Fitzgerald], poor darling, went off her head. She had gone into a flower shop and suddenly for her all the flowers had faces. Of course, some flowers, such as pansies, DO have faces.
I was there in the south of France when Zelda [Fitzgerald], poor darling, went off her head. She had gone into a flower shop and suddenly for her all the flowers had faces. Of course, some flowers, such as pansies, DO have faces.
[when asked by gossip columnist Earl Wilson if she had ever been mistaken for a man on the telephone] No, have you?
[when asked by gossip columnist Earl Wilson if she had ever been mistaken for a man on the telephone] No, have you?
Tallulah Bankhead
Tallulah Brockman Bankhead was born on January 31, 1902 in Huntsville, Alabama. Her father was a mover and shaker in the Democratic Party who served as Speaker of the United States House of Representatives from June 4, 1936, to September 16, 1940. Tallulah had been interested in acting and, at age 15, started her stage career in the local theater troupes of Huntsville and the surrounding areas. At age 16, she won a beauty contest and, bolstered by this achievement, moved to New York City to live with her aunt and to try her hand at Broadway. She was offered a role in Le Docteur Jekyll and M. Hyde (1920), but did not take it after she refused John Barrymore's invitation for a visit to the casting couch. Unfortunately, for the young Miss Bankhead, she did not make any headway on the stages of New York, so she pulled up stakes and moved to London, in 1923, to try her luck there.For the next several years, she was the most popular actress of London's famed West End, the British equivalent of Broadway. After starring in several well-received plays, she gained the attention of Paramount Pictures executives and returned to the United States to try her hand at the film world. Her first two films, Woman's Law (1927) and His House in Order (1928), did not exactly set the world on fire, so she returned to do more stage work. She tried film work again with Tarnished Lady (1931), where she played Nancy Courtney, a woman who marries for money but ultimately gets bored with her husband and leaves him, only to come back to him when he is broke. The critics gave it a mixed reception. Tallulah's personality did not shine on film as Paramount executives had hoped. She tried again with My Sin (1931) as a woman with a secret past about to marry into money. Later that year, she made The Cheat (1931), playing Elsa Carlyle, a woman who sold herself to a wealthy Oriental merchant who brands her like she was his own property and is subsequently murdered. The next year, she shot Thunder Below (1932), Faithless (1932), Make Me a Star (1932) (she had a cameo role along with several other Paramount stars) and Le démon du sous-marin (1932). The latter film was a star-studded affair that made money at the box-office due to the cast (Gary Cooper, Charles Laughton and newcomer Cary Grant). The films she was making just did not do her talent any justice, so it was back to Broadway--she did not make another film for 11 years. She toured nationally, performing in all but three states.She was also a big hit at social affairs, where she often shocked the staid members of that society with her "untraditional" behavior. She chain-smoked and enjoyed more than her share of Kentucky bourbon, and made it a "habit" to take her clothes off and chat in the nude. A friend and fellow actress remarked on one occasion, "Tallulah dear, why are you always taking your clothes off? You have such lovely frocks." She was also famous--or infamous--for throwing wild parties that would last for days. She returned to films in 1943 with a cameo in Le cabaret des étoiles (1943), but it was Lifeboat (1944) for director Alfred Hitchcock that put her back into the limelight. However, the limelight did not shine for long. After shooting Scandale à la cour (1945) she did not appear on film again until she landed a role in Fanatic (1965). Her film and small-screen work consisted of a few TV spots and the voice of the Sea Witch in the animated film The Daydreamer (1966), so she went back to the stage, which had always been first and foremost in her heart. To Tallulah, there was nothing like a live audience to perform for, because they, always, showed a lot of gratitude. On December 12, 1968, Tallulah Bankhead died at age 66 of pneumonia in her beloved New York City. While she made most of her fame on the stages of the world, the film industry and its history became richer because of her talent and her very colorful personality. Today her phrase, "Hello, Dahling" is known throughout the entertainment world.
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