[re actor Bobby Cannavale's work in role as Gyp in Boardwalk Empire (2010)] [It] had to be played at razor's edge. You're laughing at him but also terrified. I explained who Gyp was, Bobby came back as Gyp. There was not another conversation. Sometimes an actor works hard, and everyone knows it. Bobby was speaking Italian in a few scenes, and I said, 'I didn't know you spoke Italian,' and he said, 'I don't.' He learned it for the role, worked privately with his own dialogue coach. But he doesn't talk about it. I know only because I happened to ask.

[ The Sopranos (1999)] I watched eighteen different versions of the last scene of the series finale. All very subtle variations on each other, but that was so painstaking, shot by shot, and it took David [Chase] weeks I think to put that ending together. I thought it was great. What I always took away from it was: when you're Tony Soprano, even going out for ice cream with your family is going to be fraught with paranoia, and whether a guy comes out of the bathroom that night, eventually somebody's going to come out of the bathroom somewhere. Maybe it happened that night, maybe it didn't. But his legacy is paranoia and just that horrible distance that he lives in. I was shocked that people were so angry. It upset David that people would think, Oh, he's trying to fuck with us.

One FBI agent told us early on, that on Monday morning they would get to the FBI office and all the agents would talk about 'The Sopranos', having the same conversation about the show, but always from the flip side. We would hear back that real wiseguys used to think that we had somebody on the inside. They could'y believe how accurate the show was.

[as writer of The Sopranos (1999)] When Uncle Junior was diagnosed with cancer, people were calling me up, saying, 'Is he going to be okay?' I said, 'We're getting him the best doctors we can. Really, we're on it.'