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Tom Savini
Birthday:
3 November 1946
Height:
170 cm
Biography
My grandson is five years old and he knows who Frankenstein (1931) is. One day I will show him my bust of Jack P. Pierce and say, "You've seen what Grandad does and he made these monsters and that's why I make my monsters now."
My grandson is five years old and he knows who Frankenstein (1931) is. One day I will show him my bust of Jack P. Pierce and say, "You've seen what Grandad does and he made these monsters and that's why I make my monsters now."
Film is a truly magical medium. You can create illusions of reality, make people think they've seen things that they really haven't -- like blowing a guy's head off with a shotgun.
Film is a truly magical medium. You can create illusions of reality, make people think they've seen things that they really haven't -- like blowing a guy's head off with a shotgun.
Everyone thinks Tom Savini doesn't like something unless there's blood and gore. That's stupid. My favorite movies are love stories.
Everyone thinks Tom Savini doesn't like something unless there's blood and gore. That's stupid. My favorite movies are love stories.
I actually turned down Friday the 13th Part 2 (1981) to do The Burning (1981) because Jason was running around in "Part 2" and as you know, there is no Jason. Jason was a kid that died in the first movie. If you watch a "Friday the 13th" movie past "Part One", you're stupid. 'Cause there's no Jason. There shouldn't be a Jason.
I actually turned down Friday the 13th Part 2 (1981) to do The Burning (1981) because Jason was running around in "Part 2" and as you know, there is no Jason. Jason was a kid that died in the first movie. If you watch a "Friday the 13th" movie past "Part One", you're stupid. 'Cause there's no Jason. There shouldn't be a Jason.
[asked if his Vietnam experiences influence his makeup effects) I get asked that question a lot. I did see a lot of first-hand anatomically correct gore and I think the most important part of that was if we create a dead body or situation there's a certain feeling you get from seeing the real thing. If I'm creating a gory effect and I don't get the same feel...
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[asked if his Vietnam experiences influence his makeup effects) I get asked that question a lot. I did see a lot of first-hand anatomically correct gore and I think the most important part of that was if we create a dead body or situation there's a certain feeling you get from seeing the real thing. If I'm creating a gory effect and I don't get the same feeling when I saw the real stuff, I'm not satisfied.
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Tom Savini
Inspired by the film Man of a Thousand Faces (1957), a young Tom Savini became fascinated with the magic and illusion of film. He spent his youth in his room creating characters by tirelessly practicing make-up. Later, as a combat photographer in Vietnam, Savini saw first-hand the gruesome carnage for which he later gained fame, simulating it on screen.
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