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Tuesday Weld
Birthday:
27 August 1943
Birth Name:
Susan Ker Weld
Height:
161 cm
Biography
[About her mother] I hated Mama. I didn't feel really free until she died. Otherwise her death really didn't affect me much. Mama is already back here wandering around doing something. I hope as a puppy dog.
[About her mother] I hated Mama. I didn't feel really free until she died. Otherwise her death really didn't affect me much. Mama is already back here wandering around doing something. I hope as a puppy dog.
[About "Pretty Poison"] Don't talk to me about it. I couldn't bear Noel Black even speaking to me. When he said 'Good morning,' it destroyed my day.
[About "Pretty Poison"] Don't talk to me about it. I couldn't bear Noel Black even speaking to me. When he said 'Good morning,' it destroyed my day.
[In a 1972 interview] I don't like interviews because your brain can be picked. That's not nice anywhere - even in a living room.
[In a 1972 interview] I don't like interviews because your brain can be picked. That's not nice anywhere - even in a living room.
[After being asked why she turns down sure hits like "Bob and Carol and Ted and Alice"] It reeked of success. I may be self-destructive, but I like taking chances with movies. I like challenges, and I also like the particular position I've been in all these years, with people wanting to save me from the awful films I've been in... I think the Tuesday Weld cu...
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[After being asked why she turns down sure hits like "Bob and Carol and Ted and Alice"] It reeked of success. I may be self-destructive, but I like taking chances with movies. I like challenges, and I also like the particular position I've been in all these years, with people wanting to save me from the awful films I've been in... I think the Tuesday Weld cult is a very nice thing.
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[Asked about a 1971 Tuesday Weld Film festival] I was astonished. That's an honor usually reserved for someone like Garbo or Bogart.
[Asked about a 1971 Tuesday Weld Film festival] I was astonished. That's an honor usually reserved for someone like Garbo or Bogart.
[on Sue Lyon] I don't think of her as an actress or otherwise. She just doesn't occupy that much of my mind. I don't know her.
[on Sue Lyon] I don't think of her as an actress or otherwise. She just doesn't occupy that much of my mind. I don't know her.
[on her reputation as a "wild child"] As a teenager, I was a wreck. I drank so much I can't remember anything.
[on her reputation as a "wild child"] As a teenager, I was a wreck. I drank so much I can't remember anything.
It seems the brighter you are, the deeper the hole you get into.
It seems the brighter you are, the deeper the hole you get into.
[about Elvis Presley] He walked into a room and everything stopped. Elvis was just so physically beautiful that even if he didn't have any talent . . . just his face, just his presence. And he was funny, charming, and complicated, but he didn't wear it on his sleeve. You didn't see that he was complicated. You saw great needs.
[about Elvis Presley] He walked into a room and everything stopped. Elvis was just so physically beautiful that even if he didn't have any talent . . . just his face, just his presence. And he was funny, charming, and complicated, but he didn't wear it on his sleeve. You didn't see that he was complicated. You saw great needs.
I do not ever want to be a huge star. Do you think I want a success? I refused Bonnie and Clyde (1967) because I was nursing at the time but also because deep down I knew that it was going to be a huge success. The same was true of "Bob and Carol and Fred and Sue" or whatever it was called [Bob & Carol & Ted & Alice (1969)]. It reeked of success.
I do not ever want to be a huge star. Do you think I want a success? I refused Bonnie and Clyde (1967) because I was nursing at the time but also because deep down I knew that it was going to be a huge success. The same was true of "Bob and Carol and Fred and Sue" or whatever it was called [Bob & Carol & Ted & Alice (1969)]. It reeked of success.
Tuesday Weld
Susan Ker Weld was born on August 27, 1943, in New York City. When her father, Lathrop Motley Weld, died three years later at the age of 49, the cute little girl, whose name by then had somehow been transmogrified into "Tuesday", took over the role of the family breadwinner, which included her mother Yosene Balfour Ker. She became a successful child model, posing for advertisements and mail-order catalogs. Her work and the burden of responsibility estranged her from her mother Yosene, her two elder siblings, and forced the preteen girl into adulthood. At nine years of age, she suffered a nervous breakdown; at ten, she started heavy drinking; one year later, she began having relationships with older men, all of which led to a suicide attempt at age twelve. In 1956 she debuted in the low-budget exploitation movie Rock Rock Rock! (1956) and decided to become an actress. After numerous TV appearances in New York she went to Hollywood in 1958 and was cast for Rally 'Round the Flag, Boys! (1958), something of a breakthrough for her. Over the next few years Tuesday became Hollywood's queen of teen, playing mainly precocious sex kittens. Her wild private life added to the entertainment of her fans. Critics acknowledged her talent, directors approved of her professionalism, and in the late 1960s she even managed to grow out of her child/woman image and find more demanding roles - she had been "sweet little 16" for about 16 years. However, Tuesday Weld didn't achieve first-magnitude stardom. Maybe she was just unlucky with her selection of jobs (she turned down Lolita (1962), Bonnie and Clyde (1967), True Grit (1969), Bob & Carol & Ted & Alice (1969), among others); maybe her independence-loving mind made her instinctively shrink back from the restraints of super stardom. In any case, she kept on performing well in films that had either not much flair or not much success. From the mid-'70s on she focused more and more on made-for-TV movies, which was ironic in that the best (Once Upon a Time in America (1984)) and the most successful (Falling Down (1993)) films that came her way happened after her big-screen career had pretty much petered out.
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Tuesday Weld Filmography

Joan Didion: The Center Will Not Hold
Chelsea Walls
Investigating Sex
Feeling Minnesota
The Beatles Anthology - Season 1
Falling Down
Heartbreak Hotel
Once Upon a Time in America
Thief
Serial
Wholl Stop the Rain
Looking for Mr. Goodbar
A Safe Place
Pretty Poison
The Fugitive - Season 2 (1963)

Tuesday Weld Roles

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