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Chicago P.D.

Season 8 x Episode 1 - Fighting Ghosts

The team responds to the shooting of a 5-year-old girl and must work the case while facing new obstacles that come from the heightened attention on police reform. Atwater is targeted by a group of officers who want to hurt him for standing against the blue wall. Voight questions whether he's cut out for a new form of policing as he manages oversight from the CPD's deputy superintendent...

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Touch of Evil

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1958

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4.7

Thriller, Crime

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About

A stark, perverse story of murder, kidnapping, and police corruption in a Mexican border town.

Actors

Director

Orson Welles

Country

United States

Duration

111 min

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Police Captain Hank Quinlan

Police Sergeant Pete Menzies

'Uncle' Joe Grandi

District Attorney Adair

Mirador Motel Night Manager

Al Schwartz

Orson Welles

Whit Masterson

Los Angeles Times

Expressionistic in the extreme, filled with shadows, angles and cinematic flourishes, the film raises the usual brooding nightmare ambiance of film noir to a level few other pictures have attempted.

March 12, 2013

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Chicago Tribune

Having the Touch of Evil envisioned by our most creative filmmaker, is a wondrous gift no movie lover should miss.

March 12, 2013

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New Yorker

[Welles'] scenes with brothel-keeper Marlene Dietrich have nothing to do with the plot and everything to do with the rotting heart of this amazing fable: the apotheosis of pulp.

March 12, 2013

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Entertainment Weekly

Indeed, just to see and hear the extraordinary 3 minute and 20 second opening sequence -- a fluid tour de force tracking shot -- without impediment of opening credits and street-sound-masking movie score is accomplishment enough.

September 7, 2011

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Slate

I first saw it when I was 14 and thought it was one of the worst pictures ever -- garish, oppressive, and appallingly overacted. Grown up, I'd go with those same adjectives, except now I think it's one of the best.

April 6, 2007

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Time Out

A sweaty thriller conundrum on character and corruption, justice and the law, worship and betrayal, it plays havoc with moral ambiguities.

June 24, 2006

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Independent (UK)

It is typical of Orson Welles that he takes a B-movie thriller set on the Mexican border and gives it a Shakespearian grandeur.

July 16, 2015

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Little White Lies

Like the bomb that's lobbed in the boot of the soft-top car in its opening scene, Touch Of Evil is a film where we can hear the faint sound of ticking in our heads, but don't realise what the problem is before it's far too late.

July 10, 2015

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Electric Sheep

Touch of Evil deserves to be watched multiple times, not for the story, but to absorb its brilliance and audacity.

July 10, 2015

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Radio Times

Welles made the film that virtually capped a style he had helped create: you could say that the span of film noir started with Citizen Kane and ended with this movie.

July 9, 2015

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Times (UK)

The bravura of the opening sequence of Orson Welles's last Hollywood picture grabs you by the throat.

July 9, 2015

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Guardian

Adapted by Welles from Whit Masterson's pulp thriller Badge of Evil, it had streaks of teen degradation and reefer madness, and the most intense interracial relationship since The Searchers.

July 9, 2015

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