The one thing I leaned while producing the series Neon Rider 1989-1995: ...bring minor conflicts to the Network and let them win. As a producer, when there's something you 'really' want, the Network is forced to just give it to you...

Winston Rekert and I were living in Los Angeles at the time and we had this great idea for a movie. Eventually we got a meeting with a well-known producer. We sat down for lunch, told him about it, who we thought should write it, our ideas for casting, we told him our director picks. At the end he just stared at us and said: ...'This is great...So what do you need me for'?