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Frank Oz
Birthday:
25 May 1944
Birth Name:
Frank Richard Oznowicz
Height:
188 cm
Biography
I'm not making art, I think that's too highfalutin'. I'm just doing my best. Someone else can tell me whether it's art or not. In the meantime, I just want everyone else to enjoy it.
I'm not making art, I think that's too highfalutin'. I'm just doing my best. Someone else can tell me whether it's art or not. In the meantime, I just want everyone else to enjoy it.
[on improvisation in "Death on a Funeral"] Are you kidding? Every movie I do - from Brando and DeNiro to "Funeral" - is improvised. I've worked with some great scripts, including "Funeral," but improvisation really brings people together. I have to be flexible enough to bring life to a movie in that way.
[on improvisation in "Death on a Funeral"] Are you kidding? Every movie I do - from Brando and DeNiro to "Funeral" - is improvised. I've worked with some great scripts, including "Funeral," but improvisation really brings people together. I have to be flexible enough to bring life to a movie in that way.
[on Little Shop of Horrors (1986)] Howard Ashman gave me the best advice of anybody ever, regarding directing this kind of a movie. He said, "Frank, this is supposed to be stupid." And it was the best advice. He said, "My tongue was firmly in my cheek when I wrote this."
[on Little Shop of Horrors (1986)] Howard Ashman gave me the best advice of anybody ever, regarding directing this kind of a movie. He said, "Frank, this is supposed to be stupid." And it was the best advice. He said, "My tongue was firmly in my cheek when I wrote this."
(On Touch of Evil) I think it opened up my view of film-that there's so much more that could be done. Actually, by breaking so many rules, he allowed other people to say, "Hey, I can maybe think of some stuff, too!" He just opened up the possibilities more for me. That's what he did.
(On Touch of Evil) I think it opened up my view of film-that there's so much more that could be done. Actually, by breaking so many rules, he allowed other people to say, "Hey, I can maybe think of some stuff, too!" He just opened up the possibilities more for me. That's what he did.
[About the fame of Miss Piggy]: I wouldn't like to be that famous, I value my privacy. Mind you, Miss Piggy enjoys every moment of it. If it were not for me, she would spend all her time in the limelight.
[About the fame of Miss Piggy]: I wouldn't like to be that famous, I value my privacy. Mind you, Miss Piggy enjoys every moment of it. If it were not for me, she would spend all her time in the limelight.
[on The Muppet Show (1976) head writer, Jerry Juhl]: He was the person responsible really for the heart of the Muppets. He just knew the characters better than anybody else. He was brilliant because he could be funny but not nasty. He always saw the affection between the characters. Nobody else could do that kind of writing... He was THE Muppet writer.
[on The Muppet Show (1976) head writer, Jerry Juhl]: He was the person responsible really for the heart of the Muppets. He just knew the characters better than anybody else. He was brilliant because he could be funny but not nasty. He always saw the affection between the characters. Nobody else could do that kind of writing... He was THE Muppet writer.
[on Jim Henson]: He envisioned a world where bears could tell jokes, chickens could sing, pigs could be stars and they all could ride bicycles.
[on Jim Henson]: He envisioned a world where bears could tell jokes, chickens could sing, pigs could be stars and they all could ride bicycles.
If you look at a lot of the pieces on The Muppet Show (1976) that came from Jim, there was a tremendous sweetness about them, and that's unique to Jim. Jim was never wimpy. He had a strength to his sweetness... that was great.
If you look at a lot of the pieces on The Muppet Show (1976) that came from Jim, there was a tremendous sweetness about them, and that's unique to Jim. Jim was never wimpy. He had a strength to his sweetness... that was great.
Frank Oz
Frank Richard Oznowicz was born in Hereford, England to puppeteers Frances and Isidore Oznowicz. His family moved to Montana in 1951, eventually settling in Oakland, California. As a teenager, he worked as an apprentice puppeteer at Children's Fairyland amusement park. He is one of the primary puppeteers responsible for the development of Jim Henson's Sesame Street (1969) and The Muppet Show (1976) as well as over 75 other Muppet productions. George Lucas originally contacted Henson to play the part of Yoda in Star Wars: Episode V - The Empire Strikes Back (1980), but he recommended Oz for the part instead. He developed the character's trademark syntax, returning to voice and puppet the Jedi Master in Star Wars: Episode VI - Return of the Jedi (1983) and Star Wars: Episode I - The Phantom Menace (1999). He voiced the CGI character in Star Wars: Episode II - Attack of the Clones (2002) and Star Wars: Episode III - Revenge of the Sith (2005), supporting the transition of the character's rendering to digital. In 2011, the Blu-Ray edition of The Phantom Menace replaced the puppet Yoda with CGI to match the other prequel films.He began a career of behind-the-camera puppet and live action filmmaking by co-directing The Dark Crystal (1982) with Henson. He went on to direct The Muppets Take Manhattan (1984), Little Shop of Horrors (1986), Dirty Rotten Scoundrels (1988), What About Bob? (1991), The Indian in the Cupboard (1995), Bowfinger (1999), The Score (2001), The Stepford Wives (2004) and Death at a Funeral (2007).
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