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George Lucas
Birthday:
14 May 1944
Birth Name:
George Walton Lucas Jr.
Height:
168 cm
Biography
[In response to whether film is an art or a business] The problem is that making film is an art. Selling film is a business. The trouble is that they [studio executives] don't know how to sell films. As a result, they try to make you make films that people will go to without them having to be sold, which is the real key to the problem. And, if they weren't s...
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[In response to whether film is an art or a business] The problem is that making film is an art. Selling film is a business. The trouble is that they [studio executives] don't know how to sell films. As a result, they try to make you make films that people will go to without them having to be sold, which is the real key to the problem. And, if they weren't so backwards-- if they can't put a film in a theater and have people rush to the door, they're not interested.
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[on his future plans] I'm moving away from all my businesses, I'm finishing all my obligations and I'm going to retire to my garage with my saw and hammer and build hobby movies. I've always wanted to make movies that were more experimental in nature, and not have to worry about them showing in movie theaters.
[on his future plans] I'm moving away from all my businesses, I'm finishing all my obligations and I'm going to retire to my garage with my saw and hammer and build hobby movies. I've always wanted to make movies that were more experimental in nature, and not have to worry about them showing in movie theaters.
I hate corporations and I'm not happy that they have taken over the film business but on the same hand I find myself being the head of a corporation. There's a certain irony there.
I hate corporations and I'm not happy that they have taken over the film business but on the same hand I find myself being the head of a corporation. There's a certain irony there.
[on the death of Star Wars: Episode V - The Empire Strikes Back (1980) director Irvin Kershner] The world has lost a great director and one of the most genuine people I've had the pleasure of knowing. Irvin Kershner was a true gentleman in every sense of the word. When I think of Kersh, I think of his warmth, his thoughtfulness and his talent. I knew him fro...
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[on the death of Star Wars: Episode V - The Empire Strikes Back (1980) director Irvin Kershner] The world has lost a great director and one of the most genuine people I've had the pleasure of knowing. Irvin Kershner was a true gentleman in every sense of the word. When I think of Kersh, I think of his warmth, his thoughtfulness and his talent. I knew him from USC - I attended his lectures and he was actually on the festival panel that gave the prize to my Electronic Labyrinth THX 1138 4EB (1967) short. I considered him a mentor. Following Star Wars (1977), I knew one thing for sure: I didn't want to direct the second movie myself. I needed someone I could trust, someone I really admired and whose work had maturity and humour. That was Kersh all over. I didn't want Empire to turn into just another sequel, another episode in a series of space adventures. I was trying to build something, and I knew Kersh was the guy to help me do it. He brought so much to the table. I am truly grateful to him. He was a friend as well as a colleague. He will be missed.
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[on the Imperial walkers in Star Wars: Episode V - The Empire Strikes Back (1980)] The walkers, if anything, were inspired by the original novel of "War of the Worlds" where the Martians walked on giant spiders that walked on legs. I was trying to come up with a way of making this battle different and unusual without putting tanks and normal military stuff i...
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[on the Imperial walkers in Star Wars: Episode V - The Empire Strikes Back (1980)] The walkers, if anything, were inspired by the original novel of "War of the Worlds" where the Martians walked on giant spiders that walked on legs. I was trying to come up with a way of making this battle different and unusual without putting tanks and normal military stuff in there... They're tall because I wanted the speeders to fly under them to make a more dynamic kind of battle out of it. And again I was struggling with the fact that in the first film I had this big space battle at the end of the movie but in this movie there wasn't anything like that.
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[on Akira Kurosawa] Kurosawa was one of film's true greats. His ability to transform a vision into a powerful work of art is unparalleled.
[on Akira Kurosawa] Kurosawa was one of film's true greats. His ability to transform a vision into a powerful work of art is unparalleled.
[on James Cameron's Avatar (2009)] Creating a universe is daunting. I'm glad Jim is doing it - there are only a few people in the world who are nuts enough to. I did it with Star Wars (1977), and now he's trying to challenge that. It's a lot of work. I do believe Jim will take this further out than anyone's ever conceived of.
[on James Cameron's Avatar (2009)] Creating a universe is daunting. I'm glad Jim is doing it - there are only a few people in the world who are nuts enough to. I did it with Star Wars (1977), and now he's trying to challenge that. It's a lot of work. I do believe Jim will take this further out than anyone's ever conceived of.
[on why he waited so long to do the Star Wars (1977) prequels] Jurassic Park (1993) inspired me. I didn't have to use rubber masks. I could build digital characters that can act and perform and walk around and interact with actors. I can use digital sets. I can paint reality. In essence, it means that cinema has gone from being a photographic medium to a pai...
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[on why he waited so long to do the Star Wars (1977) prequels] Jurassic Park (1993) inspired me. I didn't have to use rubber masks. I could build digital characters that can act and perform and walk around and interact with actors. I can use digital sets. I can paint reality. In essence, it means that cinema has gone from being a photographic medium to a painterly one.
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People think of me as a sort of pathological, Howard Hughes-type guy sitting in a hotel room, which is definitely not so.
People think of me as a sort of pathological, Howard Hughes-type guy sitting in a hotel room, which is definitely not so.
My greatest regret in my career is that John [Landis] was unable to direct "Howard the Duck". I feel the movie would have been far more successful and saved me the years of hardship following its release. - on John Landis turning down directing Howard the Duck (1986).
My greatest regret in my career is that John [Landis] was unable to direct "Howard the Duck". I feel the movie would have been far more successful and saved me the years of hardship following its release. - on John Landis turning down directing Howard the Duck (1986).
I am the father of our Star Wars (1977) movie world - the filmed entertainment, the features and now the animated film and television series. And I'm going to do a live-action television series. Those are all things I am very involved in: I set them up and I train the people and I go through them all. I'm the father; that's my work. Then we have the licensin...
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I am the father of our Star Wars (1977) movie world - the filmed entertainment, the features and now the animated film and television series. And I'm going to do a live-action television series. Those are all things I am very involved in: I set them up and I train the people and I go through them all. I'm the father; that's my work. Then we have the licensing group, which does the games, toys and books, and all that other stuff. I call that the son - and the son does pretty much what he wants. Then we have the third group, the holy ghost, which is the bloggers and fans. They have created their own world. I worry about the father's world. The son and holy ghost can go their own way.
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On the influence of Star Wars on Hollywood films: People say my movies are just like Hollywood movies. And I say, "I can't help it if Hollywood copies."
On the influence of Star Wars on Hollywood films: People say my movies are just like Hollywood movies. And I say, "I can't help it if Hollywood copies."
Honestly, everyone feels you have to talk about yourself all the time. They say I'm introverted because I don't give many interviews. But I don't give many interviews because I don't make many films.
Honestly, everyone feels you have to talk about yourself all the time. They say I'm introverted because I don't give many interviews. But I don't give many interviews because I don't make many films.
[About the upcoming film Indiana Jones and the Kingdom of the Crystal Skull (2008)] When you do a movie like this, a sequel that's very, very anticipated, people anticipate ultimately that it's going to be the Second Coming. And it's not. It's just a movie. Just like the other movies. You probably have fond memories of the other movies. But if you went back ...
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[About the upcoming film Indiana Jones and the Kingdom of the Crystal Skull (2008)] When you do a movie like this, a sequel that's very, very anticipated, people anticipate ultimately that it's going to be the Second Coming. And it's not. It's just a movie. Just like the other movies. You probably have fond memories of the other movies. But if you went back and looked at them, they might not hold up the same way your memory holds up... You're not going to get a lot of accolades... All you can do is lose.
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[About the origin of "Chewbacca"] There was a dog in American Graffiti (1973), but I didn't use "Indiana" for the part because it was a night scene and I wanted a white dog. My wife was very upset that I didn't put my own dog in the movie; so I said I'd put Indiana's spirit in the next one. And that's how the "Wookiee" came into being.
[About the origin of "Chewbacca"] There was a dog in American Graffiti (1973), but I didn't use "Indiana" for the part because it was a night scene and I wanted a white dog. My wife was very upset that I didn't put my own dog in the movie; so I said I'd put Indiana's spirit in the next one. And that's how the "Wookiee" came into being.
[About THX 1138 (1971)] My first film was a parable about the way we are living our lives today. I realize it was a rather depressing statement. People really weren't interested in a depressing statement. Being a pessimist doesn't seem to accomplish anything.
[About THX 1138 (1971)] My first film was a parable about the way we are living our lives today. I realize it was a rather depressing statement. People really weren't interested in a depressing statement. Being a pessimist doesn't seem to accomplish anything.
None of the films I've done was designed for a mass audience, except for Raiders of the Lost Ark (1981) (aka Indiana Jones). Nobody in their right mind thought American Graffiti (1973) or Star Wars (1977) would work.
None of the films I've done was designed for a mass audience, except for Raiders of the Lost Ark (1981) (aka Indiana Jones). Nobody in their right mind thought American Graffiti (1973) or Star Wars (1977) would work.
[on critics] "You have to have a thick enough skin to cope with the criticism. I'm very self-critical and I have a lot of friends that I trust who are film directors and writers and people in my profession. I trust them to be extremely critical but I trust their opinion; their opinion is thoughtful, knowledgeable. I also know them personally so I know the ps...
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[on critics] "You have to have a thick enough skin to cope with the criticism. I'm very self-critical and I have a lot of friends that I trust who are film directors and writers and people in my profession. I trust them to be extremely critical but I trust their opinion; their opinion is thoughtful, knowledgeable. I also know them personally so I know the psychological slant they are putting on it. I know what their tastes are and I can say, "Well that's great for them but that's not great for me." Technical criticism is extremely helpful but you are only going to get that from your peers."
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[on film critics] "There are a few critics overseas, and occasionally a critic will write an astute analysis of the movie. There is value in reading critics that actually have something intelligent to say, but the journalistic community lives in a world of sound bites and literary commerce: selling newspapers, selling books, and they do that simply by trashi...
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[on film critics] "There are a few critics overseas, and occasionally a critic will write an astute analysis of the movie. There is value in reading critics that actually have something intelligent to say, but the journalistic community lives in a world of sound bites and literary commerce: selling newspapers, selling books, and they do that simply by trashing things. They don't criticize or analyze them. They simply trash them for the sake of a headline, or to shock people to get them to buy whatever it is they're selling."
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Yeah, I have a few dollars, but when you're getting up to the point where the average movie costs $80 million, anything under $20 million is pretty cheap. Anything under $10 million is almost impossible. And anything under $5 million is Roger Corman.
Yeah, I have a few dollars, but when you're getting up to the point where the average movie costs $80 million, anything under $20 million is pretty cheap. Anything under $10 million is almost impossible. And anything under $5 million is Roger Corman.
With film, if you get a million people to see your movie on the first weekend, you've made about $5 million. That basically will not end up on the top-10 chart. You have to get 10 million people on the first weekend. And if you don't do it in two days, you're basically out of the theaters and into the DVD market. There's just an ecology there. If you're a mo...
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With film, if you get a million people to see your movie on the first weekend, you've made about $5 million. That basically will not end up on the top-10 chart. You have to get 10 million people on the first weekend. And if you don't do it in two days, you're basically out of the theaters and into the DVD market. There's just an ecology there. If you're a mouse, don't expect to kill a lion, because it ain't gonna happen. If you want to have that kind of power, it's better to be a lion, because the mice are fine - you can have a life and everything - but the lions are the ones out there prowling and scaring the hell out of everybody.
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"Thank you. Thank you all. This is a very, very important award for me. Star Wars, oddly enough, doesn't really get that many awards. I'm not a big favorite with the critics, but who listens to them? I'm not a big industry favorite either, but of course they are a bunch of studio executives. The most important people for any filmmaker, the reason that I make...
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"Thank you. Thank you all. This is a very, very important award for me. Star Wars, oddly enough, doesn't really get that many awards. I'm not a big favorite with the critics, but who listens to them? I'm not a big industry favorite either, but of course they are a bunch of studio executives. The most important people for any filmmaker, the reason that I make films, is for you! The audience rules! Thank you. Thank you very much!" - while receiving the Best Movie award for Revenge of the Sith at the Peoples Choice Awards.
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I am very concerned about our national heritage, and I am very concerned that the films that I watched when I was young and the films that I watched throughout my life are preserved, so that my children can see them. - expressing concern over the Colorization of black & white films.
I am very concerned about our national heritage, and I am very concerned that the films that I watched when I was young and the films that I watched throughout my life are preserved, so that my children can see them. - expressing concern over the Colorization of black & white films.
Part of the reason I went back to tell the prequel, of how Anakin Skywalker became Darth Vader, is that it's an interesting story and a fun one to tell. Because it is the story of how a good person turns bad.
Part of the reason I went back to tell the prequel, of how Anakin Skywalker became Darth Vader, is that it's an interesting story and a fun one to tell. Because it is the story of how a good person turns bad.
When asked what it was like to watch Steven Spielberg direct: It's like watching Albert Einstein or Thomas Edison. It's like watching Michael Jordan or Tiger Woods, any genius you can name.
When asked what it was like to watch Steven Spielberg direct: It's like watching Albert Einstein or Thomas Edison. It's like watching Michael Jordan or Tiger Woods, any genius you can name.
I've worked hard enough and earned enough to fail for the rest of my life. And I'm gonna do it!! - About making art films that he admits no one will want to see.
I've worked hard enough and earned enough to fail for the rest of my life. And I'm gonna do it!! - About making art films that he admits no one will want to see.
The parallels between what we did in Vietnam and what we're doing in Iraq now are unbelievable.
The parallels between what we did in Vietnam and what we're doing in Iraq now are unbelievable.
On Gangs of New York (2002): We showed a print of it at the Skywalker Ranch. I was amazed by what he (Scorsese) did with it and where he went. It was terrific.
On Gangs of New York (2002): We showed a print of it at the Skywalker Ranch. I was amazed by what he (Scorsese) did with it and where he went. It was terrific.
I am very concerned about our national heritage, and I am very concerned that films that I watched when I was young and the films that I watched throughout my life are preserved, so that my children can see them.
I am very concerned about our national heritage, and I am very concerned that films that I watched when I was young and the films that I watched throughout my life are preserved, so that my children can see them.
Regarding Star Wars: Episode III - Revenge of the Sith (2005): "Right or wrong this is my movie, this is my decision, and this is my creative vision, and if people don't like it, they don't have to see it."
Regarding Star Wars: Episode III - Revenge of the Sith (2005): "Right or wrong this is my movie, this is my decision, and this is my creative vision, and if people don't like it, they don't have to see it."
If you can tune into the fantasy life of an 11-year-old girl, you can make a fortune in this business.
If you can tune into the fantasy life of an 11-year-old girl, you can make a fortune in this business.
I've had a very volatile relationship with Francis (Francis Ford Coppola). It's on both sides, like we were married and we got divorced. It's as close a relationship as I've had with anybody.
I've had a very volatile relationship with Francis (Francis Ford Coppola). It's on both sides, like we were married and we got divorced. It's as close a relationship as I've had with anybody.
From being a struggling, starving filmmaker to being incredibly successful in a period of a couple of years is quite a powerful experience, and not necessarily a good one.
From being a struggling, starving filmmaker to being incredibly successful in a period of a couple of years is quite a powerful experience, and not necessarily a good one.
It's hard work making movies. It's like being a doctor:you work long hours, very hard hours, and it's emotional, tense work. If you don't really love it, then it ain't worth it.
It's hard work making movies. It's like being a doctor:you work long hours, very hard hours, and it's emotional, tense work. If you don't really love it, then it ain't worth it.
He is one of the best. He's outwitted the empire on numerous occaisons, and he has made some very fast deals. One of his problems is that he gambles quite heavily and that's where he loses most of his money. He's tough and sharp, but never manages to scrape together enough to get any power...He's slightly self-destructive and he sort of enjoys being on the b...
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He is one of the best. He's outwitted the empire on numerous occaisons, and he has made some very fast deals. One of his problems is that he gambles quite heavily and that's where he loses most of his money. He's tough and sharp, but never manages to scrape together enough to get any power...He's slightly self-destructive and he sort of enjoys being on the brink of disaster...You might meet him and he may be worth ten billion dollars and the next time you meet him he's in debt up to his ears. - Describing Han Solo.
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I wanted to make abstract films that are emotional, and I still do.
I wanted to make abstract films that are emotional, and I still do.
"He is his own man, he is not a son anymore, he is an equal." - describing Luke Skywalker after his duel with Darth Vader in Star Wars: Episode V - The Empire Strikes Back (1980).
"He is his own man, he is not a son anymore, he is an equal." - describing Luke Skywalker after his duel with Darth Vader in Star Wars: Episode V - The Empire Strikes Back (1980).
To be renewed is everything. What more could one ask for than to have one's youth back again?
To be renewed is everything. What more could one ask for than to have one's youth back again?
Making a film is like putting out a fire with sieve. There are so many elements, and it gets so complicated.
Making a film is like putting out a fire with sieve. There are so many elements, and it gets so complicated.
The object is to try to get the (movie) system to work for you, instead of against you. And the only way you can do it is through success, I'm afraid.
The object is to try to get the (movie) system to work for you, instead of against you. And the only way you can do it is through success, I'm afraid.
I took over control of the merchandising not because I thought it was going to make me rich, but because I wanted to control it. I wanted to make a stand for social, safety, and quality reasons. I didn't want someone using the name "Star Wars" on a piece of junk.
I took over control of the merchandising not because I thought it was going to make me rich, but because I wanted to control it. I wanted to make a stand for social, safety, and quality reasons. I didn't want someone using the name "Star Wars" on a piece of junk.
On the making of Star Wars (1977): "When you're directing, you have to get up at four thirty [A.M], have breakfast at five, leave the hotel at six, drive an hour to location, start shooting at eight, and finish shooting around six. Then you wrap, go to your office, and set up the next day's work. You get back to the hotel about eight or nine, hopefully get a...
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On the making of Star Wars (1977): "When you're directing, you have to get up at four thirty [A.M], have breakfast at five, leave the hotel at six, drive an hour to location, start shooting at eight, and finish shooting around six. Then you wrap, go to your office, and set up the next day's work. You get back to the hotel about eight or nine, hopefully get a bite to eat, then you go to your room and figure out your homework, how you're going to shoot the next day's scenes, then you go to sleep. The next morning it starts all over again."
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I am simply trying to struggle through life; trying to do God's bidding.
I am simply trying to struggle through life; trying to do God's bidding.
The script is what you've dreamed up-this is what it should be. The film is what you end up with.
The script is what you've dreamed up-this is what it should be. The film is what you end up with.
The sound and music are 50% of the entertainment in a movie.
The sound and music are 50% of the entertainment in a movie.
A special effect is a tool, a means of telling a story. A special effect without a story is a pretty boring thing.
A special effect is a tool, a means of telling a story. A special effect without a story is a pretty boring thing.
George Lucas
George Walton Lucas, Jr. was raised on a walnut ranch in Modesto, California. His father was a stationery store owner and he had three siblings. During his late teen years, he went to Downey High School and was very much interested in drag racing. He planned to become a professional race-car driver. However, a terrible car accident just after his high school graduation ended that dream permanently. The accident changed his views on life. He decided to attend Modesto Junior College before enrolling in the University of Southern California film school. As a film student, he made several short films including THX-1138: 4EB (Electronic Labyinth) which won first prize at the 1967-68 National Student Film Festival. In 1967, he was awarded a scholarship by Warner Brothers to observe the making of Finian's Rainbow (1968) which was being directed by Francis Ford Coppola. Lucas and Coppola became good friends and formed American Zoetrope in 1969. The company's first project was Lucas' full-length version of THX 1138 (1971). In 1971, Coppola went into production for The Godfather (1972), and Lucas formed his own company, Lucasfilm Ltd. In 1973, he wrote and directed the semiautobiographical American Graffiti (1973) which won the Golden Globe and garnered five Academy Award nominations. This gave him the clout he needed for his next daring venture. From 1973 to 1974, he began writing the screenplay for Star Wars (1977). He was inspired to make this movie from Flash Gordon and the Planet of the Apes films. In 1975, he established I.L.M. (Industrial Light and Magic) to produce the visual effects needed for the movie. Another company called Sprocket Systems was established to edit and mix Star Wars and later becomes known as Skywalker Sound. His movie was turned down by several studios until 20th Century Fox gave him a chance. Lucas agreed to forego his directing salary in exchange for 40% of the film's box-office take and all merchandising rights. The movie went on to break all box office records and earned seven Academy Awards. It redefined the term "blockbuster". The rest is history. Lucas made the other Star Wars films and along with Steven Spielberg created the Indiana Jones series which made box office records of their own. From 1980 to 1985, Lucas was busy with the construction of Skywalker Ranch, built to accommodate the creative, technical, and administrative needs of Lucasfilm. Lucas also revolutionized movie theatres with the T.H.X. System which was created to maintain the highest quality standards in motion picture viewing. He went on to make several more movies that have introduced major innovations in film-making technology. He is chairman of the board of The George Lucas Educational Foundation. In 1992, George Lucas was honored with the Irving G. Thalberg Award by the Board of Governors of the Academy of Motion Picture Arts and Sciences for his life-time achievement.
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