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Robert Parrish
Birthday:
4 January 1916
Biography
[on Nicholas Ray]: He worked at the top of his physical capacities at all times; every time I've seen him, in my whole life, I always wondered if he wasn't just about ready to crack up.
[on Nicholas Ray]: He worked at the top of his physical capacities at all times; every time I've seen him, in my whole life, I always wondered if he wasn't just about ready to crack up.
[on visiting John Ford on his deathbed] We talked about zoom lenses (he didn't approve), John Wayne (he approved), [Henry Fonda] (he approved), Patrick Kelley (he approved, but wished Kelley hadn't turned executive--"Terrible thing for a good sound-effects cutter to allow himself to become the president of a successful film-producing company") . . . . He the...
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[on visiting John Ford on his deathbed] We talked about zoom lenses (he didn't approve), John Wayne (he approved), [Henry Fonda] (he approved), Patrick Kelley (he approved, but wished Kelley hadn't turned executive--"Terrible thing for a good sound-effects cutter to allow himself to become the president of a successful film-producing company") . . . . He then said, "Have you won any more Oscars?" I told him I hadn't, and he said, "It turns out they're not as unimportant as I thought, so you should go ahead and win as many as you can".
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Robert Parrish
Robert Parrish was an Academy Award-winning film editor who also directed and acted in movies. As a child he appeared in films during the early 1930s, such as City Lights (1931) by Charles Chaplin and Lewis Milestone's All Quiet on the Western Front (1930). As an editor he won an Academy Award for Body and Soul (1947), the 1947 Robert Rossen film that starred John Garfield as a money-grubbing, two-timing boxer on the make. Parrish also worked on All the King's Men (1949), an account of the rise and fall of a Louisiana politician that won the Academy Award for Best Picture. Parrish then moved on to direct films during the 1950s and 1960s. Among his best received works was the brooding western Saddle the Wind (1958).
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