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Simon Webb
Biography
[observation, 2012] I'm sixty-three. I'm not going to waste a day just turning in a mechanical performance. Every moment is too important for that.
[observation, 2012] I'm sixty-three. I'm not going to waste a day just turning in a mechanical performance. Every moment is too important for that.
Speaking personally, as an atheist who is having a crisis of no-faith, I'm finding my atheism is quite inadequate to me. I've done two shows now, back-to-back, that put me squarely in the position of being a believer - and having to believe that I'm a believer.
Speaking personally, as an atheist who is having a crisis of no-faith, I'm finding my atheism is quite inadequate to me. I've done two shows now, back-to-back, that put me squarely in the position of being a believer - and having to believe that I'm a believer.
Without the freedom to fail, you can't really succeed in any meaningful way in art. I love the sense of risk and it not being a sure thing.
Without the freedom to fail, you can't really succeed in any meaningful way in art. I love the sense of risk and it not being a sure thing.
Simon Webb
Simon Webb is known for his work on Happy Gilmore (1996), The Grocer's Wife (1991) and Riding the Bullet (2004).
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