Killing Big Pussy - I'll be honest with you. that bothered us. Actors don't work every week, and all of a sudden Vinny [Pastore] had a movie. He said he needed the space to do this movie. This is the first year. They let him go. The second year, Vinny did the same thing, early on. He wouldn't take no for an answer, and they let him do the movie. But, hey, he only did two years on the show, and let me tell you, he's still Big Pussy wherever he goes.

I got the script that I had to kill a woman, and I ran to David. I said, 'David, don't make me kill a woman', He said, 'No, you've got to kill her'. I said, 'Then let me shoot her'. He said, 'No, it's got to be personal'. I said, 'David, I come from a tough neighborhood. If I go home and they see I killed a woman, it's going to make me look bad'. He smiled, and said, 'No, you've got to do it'. Here's the thing. We did the scene. I had to smother her. First he wanted me to strangle her. 'I said, 'No, I'm not putting my hands on her'. He said, 'Use the pillow'. After it was all said and done, I went back to the neighborhood, and nobody said a word. They loved the show. They didn't care what we did.

I lived with Ma for sixteen years before she passed. David [Chase] knew that going in. This became one of my story lines. Sticking to the script - that was Rule No, 1. They got the words from us anyway, We'd have the writers sit and talk with us. They heard the cadence of my voice and what I said, and how I expressed myself - you know what I mean? So I had guys write down my own words and shove them right back into my throat.

[on being cast in The Sopranos (1999)] I read for Uncle Junior. It was me, Dominic Chianese and Frank Vincent who went up for the role that day. About an hour after I got home, I got a call from David Chase. He said, 'You want the good news or the bad news?' I said, 'Give me the bad news'. He said, 'You didn't get Uncle Junior. But I have something in mind. Would you be willing to do a recurring role on the show? I have a character called Paulie Walnuts.

It makes some great movies. I mean, some of my favorite films growing up, have been, forgive me, gangster films. I learned how to walk and talk watching [James Cagney]. It's that, it's the power, it's the glamour. The mob just has all that mysticism around it that's magical.

I've done like 45 movies, played 40 gangsters and five crooked cops.

When I first read David Chase's script [for The Sopranos (1999)], I knew this was special. This is what I'd been looking for all my life . . . When I heard James Gandolfini, Edie Falco, Michael Imperioli and Nancy Marchand were in it, I knew it was going to be a total class act. I knew right away this was a role to kill for.